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Better, Faster, Easier Focusrite's Clarett low latency USB range features the same specially designed high-performance, low-noise (-128dB EIN) mic pres as its Thunderbolt predecessor. The low-distortion, ultra-linear design of these pres guarantees a clean, open and clear recording signal, giving you as accurate a representation of your recording as you could wish for. Now with USB Connectivity Featuring a massive 119dB dynamic range, the Clarett can now interface with your Mac or PC via USB 2.0 (or above) ports, and bring you decades of analogue circuit design experience to deliver a superior signal path. Bigger on the Inside Like its Thunderbolt predecessor, the Clarett 8Pre USB is an 18-in, 20-out audio interface, with 8 Mic/Line inputs (2 of which are also high impedance instrument inputs) which allow you to record anything from condenser mics, to super-hot pickups without any unwanted distortion or clipping. You also get four fixed-line inputs, and an ADAT input which supports up to an additional eight channels, two monitor outputs (with anti-thump technology), two line outputs, two volume-controlled headphone outputs, a MIDI I/O socket, and even an S/PDIF I/O socket. Air-Enabled Both mic preamps in the Clarett 8Pre USB are Air-Enabled, which means they can accurately reproduce the input impedance, clarity, and frequency response curve of Focusrite's original ISA mic preamp! Plug and Play Using a straightforward USB connection, and making full use of the included software packages, the Clarett 8Pre USB makes setting up your home studio easier than ever. You can even configure your routing and monitor mixes from your Mac, PC, iPad, iPohone or iPod touch, making editing on the fly more than possible! Order this fabulous bit of kit today and make use of our amazing 0% Finance and Free Home-Delivery options! Key Features Ultra-low noise (-128dB EIN) Clarett mic preamps, ultra-low distortion and up to 118dB dynamic range The eight Air-enabled mic preamps can reproduce the sound of the Air feature from Focusrite’s original ISA mic preamp Supports any Mac® or PC with USB 2.0 and above 24-bit/192kHz A-D and D-A conversion for the ideal signal path Connects to Mac or PC using the included standard USB and USB Type-C cables Two front-panel mic/line/instrument inputs Six mic/line inputs Six-segment LED metering easily shows the signal level MIDI I/O S/PDIF I/O ADAT I/O Two monitor outputs with anti-thump technology Eight additional line outputs Two headphone outputs with volume controls Dim and mute monitor controls Word clock output for sending clock signal to external equipment Record with super-low latency through amp simulators and effects plug-ins Focusrite Control: a user-friendly control software which enables you to configure your routing and monitor mixes from Mac, PC, iPad, iPhone or iPod touch Software Included XLN Audio – Addictive Keys: one of four inspiring and interesting keyboard instruments Focusrite – Red Plug-in Suite: accurately models Focusrite's classic Red 2 equaliser and Red 3 compressor Softube – Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins Focusrite – Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies Ableton – Live Lite: a customised version of the music-making software Ableton Live Loopmasters: 2GB of royalty-free sample libraries Focusrite Control What's in the Box? Clarett 4Pre USB 2 x USB Cable to support standard USB connector and USB Type C connector Power Supply", "specification.id": 5, "specification.ts": "2018-01-24 00:32:08", "specification.key": "Warranty", "specification.value": "2 years" }, "194": { "musical_instrument_x_specification.id": 194, "musical_instrument.id": 12, "musical_instrument.ts": "2018-01-24 00:37:32", "musical_instrument.title": "Focusrite Clarett 8Pre USB Rack Mount Audio Interface", "musical_instrument.price": "£739.99", "musical_instrument.overview": "Focusrite Clarett 8Pre USB, 18-in and 20-out Audio Interface Building on the success of the fabulous Clarett Thunderbolt (described by many as the best audio interface they've ever used), Focusrite have now announced the upcoming release of the Clarett 4Pre - a high-powered USB audio interface that is laying down the challenge to interfaces twice the price! Better, Faster, Easier Focusrite's Clarett low latency USB range features the same specially designed high-performance, low-noise (-128dB EIN) mic pres as its Thunderbolt predecessor. The low-distortion, ultra-linear design of these pres guarantees a clean, open and clear recording signal, giving you as accurate a representation of your recording as you could wish for. Now with USB Connectivity Featuring a massive 119dB dynamic range, the Clarett can now interface with your Mac or PC via USB 2.0 (or above) ports, and bring you decades of analogue circuit design experience to deliver a superior signal path. Bigger on the Inside Like its Thunderbolt predecessor, the Clarett 8Pre USB is an 18-in, 20-out audio interface, with 8 Mic/Line inputs (2 of which are also high impedance instrument inputs) which allow you to record anything from condenser mics, to super-hot pickups without any unwanted distortion or clipping. You also get four fixed-line inputs, and an ADAT input which supports up to an additional eight channels, two monitor outputs (with anti-thump technology), two line outputs, two volume-controlled headphone outputs, a MIDI I/O socket, and even an S/PDIF I/O socket. Air-Enabled Both mic preamps in the Clarett 8Pre USB are Air-Enabled, which means they can accurately reproduce the input impedance, clarity, and frequency response curve of Focusrite's original ISA mic preamp! Plug and Play Using a straightforward USB connection, and making full use of the included software packages, the Clarett 8Pre USB makes setting up your home studio easier than ever. You can even configure your routing and monitor mixes from your Mac, PC, iPad, iPohone or iPod touch, making editing on the fly more than possible! Order this fabulous bit of kit today and make use of our amazing 0% Finance and Free Home-Delivery options! Key Features Ultra-low noise (-128dB EIN) Clarett mic preamps, ultra-low distortion and up to 118dB dynamic range The eight Air-enabled mic preamps can reproduce the sound of the Air feature from Focusrite’s original ISA mic preamp Supports any Mac® or PC with USB 2.0 and above 24-bit/192kHz A-D and D-A conversion for the ideal signal path Connects to Mac or PC using the included standard USB and USB Type-C cables Two front-panel mic/line/instrument inputs Six mic/line inputs Six-segment LED metering easily shows the signal level MIDI I/O S/PDIF I/O ADAT I/O Two monitor outputs with anti-thump technology Eight additional line outputs Two headphone outputs with volume controls Dim and mute monitor controls Word clock output for sending clock signal to external equipment Record with super-low latency through amp simulators and effects plug-ins Focusrite Control: a user-friendly control software which enables you to configure your routing and monitor mixes from Mac, PC, iPad, iPhone or iPod touch Software Included XLN Audio – Addictive Keys: one of four inspiring and interesting keyboard instruments Focusrite – Red Plug-in Suite: accurately models Focusrite's classic Red 2 equaliser and Red 3 compressor Softube – Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins Focusrite – Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies Ableton – Live Lite: a customised version of the music-making software Ableton Live Loopmasters: 2GB of royalty-free sample libraries Focusrite Control What's in the Box? Clarett 4Pre USB 2 x USB Cable to support standard USB connector and USB Type C connector Power Supply", "specification.id": 9, "specification.ts": "2018-01-24 00:32:16", "specification.key": "Weight", "specification.value": 0 }, "195": { "musical_instrument_x_specification.id": 195, "musical_instrument.id": 12, "musical_instrument.ts": "2018-01-24 00:37:32", "musical_instrument.title": "Focusrite Clarett 8Pre USB Rack Mount Audio Interface", "musical_instrument.price": "£739.99", "musical_instrument.overview": "Focusrite Clarett 8Pre USB, 18-in and 20-out Audio Interface Building on the success of the fabulous Clarett Thunderbolt (described by many as the best audio interface they've ever used), Focusrite have now announced the upcoming release of the Clarett 4Pre - a high-powered USB audio interface that is laying down the challenge to interfaces twice the price! Better, Faster, Easier Focusrite's Clarett low latency USB range features the same specially designed high-performance, low-noise (-128dB EIN) mic pres as its Thunderbolt predecessor. The low-distortion, ultra-linear design of these pres guarantees a clean, open and clear recording signal, giving you as accurate a representation of your recording as you could wish for. Now with USB Connectivity Featuring a massive 119dB dynamic range, the Clarett can now interface with your Mac or PC via USB 2.0 (or above) ports, and bring you decades of analogue circuit design experience to deliver a superior signal path. Bigger on the Inside Like its Thunderbolt predecessor, the Clarett 8Pre USB is an 18-in, 20-out audio interface, with 8 Mic/Line inputs (2 of which are also high impedance instrument inputs) which allow you to record anything from condenser mics, to super-hot pickups without any unwanted distortion or clipping. You also get four fixed-line inputs, and an ADAT input which supports up to an additional eight channels, two monitor outputs (with anti-thump technology), two line outputs, two volume-controlled headphone outputs, a MIDI I/O socket, and even an S/PDIF I/O socket. Air-Enabled Both mic preamps in the Clarett 8Pre USB are Air-Enabled, which means they can accurately reproduce the input impedance, clarity, and frequency response curve of Focusrite's original ISA mic preamp! Plug and Play Using a straightforward USB connection, and making full use of the included software packages, the Clarett 8Pre USB makes setting up your home studio easier than ever. You can even configure your routing and monitor mixes from your Mac, PC, iPad, iPohone or iPod touch, making editing on the fly more than possible! Order this fabulous bit of kit today and make use of our amazing 0% Finance and Free Home-Delivery options! Key Features Ultra-low noise (-128dB EIN) Clarett mic preamps, ultra-low distortion and up to 118dB dynamic range The eight Air-enabled mic preamps can reproduce the sound of the Air feature from Focusrite’s original ISA mic preamp Supports any Mac® or PC with USB 2.0 and above 24-bit/192kHz A-D and D-A conversion for the ideal signal path Connects to Mac or PC using the included standard USB and USB Type-C cables Two front-panel mic/line/instrument inputs Six mic/line inputs Six-segment LED metering easily shows the signal level MIDI I/O S/PDIF I/O ADAT I/O Two monitor outputs with anti-thump technology Eight additional line outputs Two headphone outputs with volume controls Dim and mute monitor controls Word clock output for sending clock signal to external equipment Record with super-low latency through amp simulators and effects plug-ins Focusrite Control: a user-friendly control software which enables you to configure your routing and monitor mixes from Mac, PC, iPad, iPhone or iPod touch Software Included XLN Audio – Addictive Keys: one of four inspiring and interesting keyboard instruments Focusrite – Red Plug-in Suite: accurately models Focusrite's classic Red 2 equaliser and Red 3 compressor Softube – Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins Focusrite – Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies Ableton – Live Lite: a customised version of the music-making software Ableton Live Loopmasters: 2GB of royalty-free sample libraries Focusrite Control What's in the Box? Clarett 4Pre USB 2 x USB Cable to support standard USB connector and USB Type C connector Power Supply", "specification.id": 181, "specification.ts": "2018-01-24 00:36:59", "specification.key": "Software Included", "specification.value": "abletone live lite, focusrite control, plugin bundles" }, "197": { "musical_instrument_x_specification.id": 197, "musical_instrument.id": 12, "musical_instrument.ts": "2018-01-24 00:37:32", "musical_instrument.title": "Focusrite Clarett 8Pre USB Rack Mount Audio Interface", "musical_instrument.price": "£739.99", "musical_instrument.overview": "Focusrite Clarett 8Pre USB, 18-in and 20-out Audio Interface Building on the success of the fabulous Clarett Thunderbolt (described by many as the best audio interface they've ever used), Focusrite have now announced the upcoming release of the Clarett 4Pre - a high-powered USB audio interface that is laying down the challenge to interfaces twice the price! Better, Faster, Easier Focusrite's Clarett low latency USB range features the same specially designed high-performance, low-noise (-128dB EIN) mic pres as its Thunderbolt predecessor. The low-distortion, ultra-linear design of these pres guarantees a clean, open and clear recording signal, giving you as accurate a representation of your recording as you could wish for. Now with USB Connectivity Featuring a massive 119dB dynamic range, the Clarett can now interface with your Mac or PC via USB 2.0 (or above) ports, and bring you decades of analogue circuit design experience to deliver a superior signal path. Bigger on the Inside Like its Thunderbolt predecessor, the Clarett 8Pre USB is an 18-in, 20-out audio interface, with 8 Mic/Line inputs (2 of which are also high impedance instrument inputs) which allow you to record anything from condenser mics, to super-hot pickups without any unwanted distortion or clipping. You also get four fixed-line inputs, and an ADAT input which supports up to an additional eight channels, two monitor outputs (with anti-thump technology), two line outputs, two volume-controlled headphone outputs, a MIDI I/O socket, and even an S/PDIF I/O socket. Air-Enabled Both mic preamps in the Clarett 8Pre USB are Air-Enabled, which means they can accurately reproduce the input impedance, clarity, and frequency response curve of Focusrite's original ISA mic preamp! Plug and Play Using a straightforward USB connection, and making full use of the included software packages, the Clarett 8Pre USB makes setting up your home studio easier than ever. You can even configure your routing and monitor mixes from your Mac, PC, iPad, iPohone or iPod touch, making editing on the fly more than possible! Order this fabulous bit of kit today and make use of our amazing 0% Finance and Free Home-Delivery options! Key Features Ultra-low noise (-128dB EIN) Clarett mic preamps, ultra-low distortion and up to 118dB dynamic range The eight Air-enabled mic preamps can reproduce the sound of the Air feature from Focusrite’s original ISA mic preamp Supports any Mac® or PC with USB 2.0 and above 24-bit/192kHz A-D and D-A conversion for the ideal signal path Connects to Mac or PC using the included standard USB and USB Type-C cables Two front-panel mic/line/instrument inputs Six mic/line inputs Six-segment LED metering easily shows the signal level MIDI I/O S/PDIF I/O ADAT I/O Two monitor outputs with anti-thump technology Eight additional line outputs Two headphone outputs with volume controls Dim and mute monitor controls Word clock output for sending clock signal to external equipment Record with super-low latency through amp simulators and effects plug-ins Focusrite Control: a user-friendly control software which enables you to configure your routing and monitor mixes from Mac, PC, iPad, iPhone or iPod touch Software Included XLN Audio – Addictive Keys: one of four inspiring and interesting keyboard instruments Focusrite – Red Plug-in Suite: accurately models Focusrite's classic Red 2 equaliser and Red 3 compressor Softube – Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins Focusrite – Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies Ableton – Live Lite: a customised version of the music-making software Ableton Live Loopmasters: 2GB of royalty-free sample libraries Focusrite Control What's in the Box? Clarett 4Pre USB 2 x USB Cable to support standard USB connector and USB Type C connector Power Supply", "specification.id": 184, "specification.ts": "2018-01-24 00:36:59", "specification.key": "Colour", "specification.value": "red" }, "193": { "musical_instrument_x_specification.id": 193, "musical_instrument.id": 12, "musical_instrument.ts": "2018-01-24 00:37:32", "musical_instrument.title": "Focusrite Clarett 8Pre USB Rack Mount Audio Interface", "musical_instrument.price": "£739.99", "musical_instrument.overview": "Focusrite Clarett 8Pre USB, 18-in and 20-out Audio Interface Building on the success of the fabulous Clarett Thunderbolt (described by many as the best audio interface they've ever used), Focusrite have now announced the upcoming release of the Clarett 4Pre - a high-powered USB audio interface that is laying down the challenge to interfaces twice the price! Better, Faster, Easier Focusrite's Clarett low latency USB range features the same specially designed high-performance, low-noise (-128dB EIN) mic pres as its Thunderbolt predecessor. The low-distortion, ultra-linear design of these pres guarantees a clean, open and clear recording signal, giving you as accurate a representation of your recording as you could wish for. Now with USB Connectivity Featuring a massive 119dB dynamic range, the Clarett can now interface with your Mac or PC via USB 2.0 (or above) ports, and bring you decades of analogue circuit design experience to deliver a superior signal path. Bigger on the Inside Like its Thunderbolt predecessor, the Clarett 8Pre USB is an 18-in, 20-out audio interface, with 8 Mic/Line inputs (2 of which are also high impedance instrument inputs) which allow you to record anything from condenser mics, to super-hot pickups without any unwanted distortion or clipping. You also get four fixed-line inputs, and an ADAT input which supports up to an additional eight channels, two monitor outputs (with anti-thump technology), two line outputs, two volume-controlled headphone outputs, a MIDI I/O socket, and even an S/PDIF I/O socket. Air-Enabled Both mic preamps in the Clarett 8Pre USB are Air-Enabled, which means they can accurately reproduce the input impedance, clarity, and frequency response curve of Focusrite's original ISA mic preamp! Plug and Play Using a straightforward USB connection, and making full use of the included software packages, the Clarett 8Pre USB makes setting up your home studio easier than ever. You can even configure your routing and monitor mixes from your Mac, PC, iPad, iPohone or iPod touch, making editing on the fly more than possible! Order this fabulous bit of kit today and make use of our amazing 0% Finance and Free Home-Delivery options! Key Features Ultra-low noise (-128dB EIN) Clarett mic preamps, ultra-low distortion and up to 118dB dynamic range The eight Air-enabled mic preamps can reproduce the sound of the Air feature from Focusrite’s original ISA mic preamp Supports any Mac® or PC with USB 2.0 and above 24-bit/192kHz A-D and D-A conversion for the ideal signal path Connects to Mac or PC using the included standard USB and USB Type-C cables Two front-panel mic/line/instrument inputs Six mic/line inputs Six-segment LED metering easily shows the signal level MIDI I/O S/PDIF I/O ADAT I/O Two monitor outputs with anti-thump technology Eight additional line outputs Two headphone outputs with volume controls Dim and mute monitor controls Word clock output for sending clock signal to external equipment Record with super-low latency through amp simulators and effects plug-ins Focusrite Control: a user-friendly control software which enables you to configure your routing and monitor mixes from Mac, PC, iPad, iPhone or iPod touch Software Included XLN Audio – Addictive Keys: one of four inspiring and interesting keyboard instruments Focusrite – Red Plug-in Suite: accurately models Focusrite's classic Red 2 equaliser and Red 3 compressor Softube – Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins Focusrite – Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies Ableton – Live Lite: a customised version of the music-making software Ableton Live Loopmasters: 2GB of royalty-free sample libraries Focusrite Control What's in the Box? Clarett 4Pre USB 2 x USB Cable to support standard USB connector and USB Type C connector Power Supply", "specification.id": 193, "specification.ts": "2018-01-24 00:37:32", "specification.key": "SKU", "specification.value": 171633 }, "196": { "musical_instrument_x_specification.id": 196, "musical_instrument.id": 12, "musical_instrument.ts": "2018-01-24 00:37:32", "musical_instrument.title": "Focusrite Clarett 8Pre USB Rack Mount Audio Interface", "musical_instrument.price": "£739.99", "musical_instrument.overview": "Focusrite Clarett 8Pre USB, 18-in and 20-out Audio Interface Building on the success of the fabulous Clarett Thunderbolt (described by many as the best audio interface they've ever used), Focusrite have now announced the upcoming release of the Clarett 4Pre - a high-powered USB audio interface that is laying down the challenge to interfaces twice the price! Better, Faster, Easier Focusrite's Clarett low latency USB range features the same specially designed high-performance, low-noise (-128dB EIN) mic pres as its Thunderbolt predecessor. The low-distortion, ultra-linear design of these pres guarantees a clean, open and clear recording signal, giving you as accurate a representation of your recording as you could wish for. Now with USB Connectivity Featuring a massive 119dB dynamic range, the Clarett can now interface with your Mac or PC via USB 2.0 (or above) ports, and bring you decades of analogue circuit design experience to deliver a superior signal path. Bigger on the Inside Like its Thunderbolt predecessor, the Clarett 8Pre USB is an 18-in, 20-out audio interface, with 8 Mic/Line inputs (2 of which are also high impedance instrument inputs) which allow you to record anything from condenser mics, to super-hot pickups without any unwanted distortion or clipping. You also get four fixed-line inputs, and an ADAT input which supports up to an additional eight channels, two monitor outputs (with anti-thump technology), two line outputs, two volume-controlled headphone outputs, a MIDI I/O socket, and even an S/PDIF I/O socket. Air-Enabled Both mic preamps in the Clarett 8Pre USB are Air-Enabled, which means they can accurately reproduce the input impedance, clarity, and frequency response curve of Focusrite's original ISA mic preamp! Plug and Play Using a straightforward USB connection, and making full use of the included software packages, the Clarett 8Pre USB makes setting up your home studio easier than ever. You can even configure your routing and monitor mixes from your Mac, PC, iPad, iPohone or iPod touch, making editing on the fly more than possible! Order this fabulous bit of kit today and make use of our amazing 0% Finance and Free Home-Delivery options! Key Features Ultra-low noise (-128dB EIN) Clarett mic preamps, ultra-low distortion and up to 118dB dynamic range The eight Air-enabled mic preamps can reproduce the sound of the Air feature from Focusrite’s original ISA mic preamp Supports any Mac® or PC with USB 2.0 and above 24-bit/192kHz A-D and D-A conversion for the ideal signal path Connects to Mac or PC using the included standard USB and USB Type-C cables Two front-panel mic/line/instrument inputs Six mic/line inputs Six-segment LED metering easily shows the signal level MIDI I/O S/PDIF I/O ADAT I/O Two monitor outputs with anti-thump technology Eight additional line outputs Two headphone outputs with volume controls Dim and mute monitor controls Word clock output for sending clock signal to external equipment Record with super-low latency through amp simulators and effects plug-ins Focusrite Control: a user-friendly control software which enables you to configure your routing and monitor mixes from Mac, PC, iPad, iPhone or iPod touch Software Included XLN Audio – Addictive Keys: one of four inspiring and interesting keyboard instruments Focusrite – Red Plug-in Suite: accurately models Focusrite's classic Red 2 equaliser and Red 3 compressor Softube – Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins Focusrite – Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies Ableton – Live Lite: a customised version of the music-making software Ableton Live Loopmasters: 2GB of royalty-free sample libraries Focusrite Control What's in the Box? Clarett 4Pre USB 2 x USB Cable to support standard USB connector and USB Type C connector Power Supply", "specification.id": 196, "specification.ts": "2018-01-24 00:37:32", "specification.key": "Power Supply", "specification.value": "12v dc power adapter" }, "200": { "musical_instrument_x_specification.id": 200, "musical_instrument.id": 13, "musical_instrument.ts": "2018-01-24 00:37:42", "musical_instrument.title": "Roland PM-100 Drum Monitor", "musical_instrument.price": "£289.00", "musical_instrument.overview": "Electronic Drum Monitor Delivering rich, dynamic sound from a minimal footprint, the Roland PM-100 is the ideal compact monitoring solution for Roland’s V-Drums. Equipped with 80 watts of power, the PM-100 features a custom full-range speaker system and rugged cabinet specially optimized for reproducing the famously expressive V-Drums sound and response. And with onboard mixing capabilities, you’re able to connect music players and other devices for practice and enjoyment while playing at home. Key Features Premium all-in-one monitor designed for use with V-Drums electronic percussion products Full-range audio system with 80 watts of power, custom 10-inch speaker, and tweeter Angled design provides ideal sound coverage for the seated player Integrated mixer with independent volume controls and global EQ Dedicated V-Drums input, plus 1/4-inch and 1/8-inch line inputs for connecting electronic percussion pads, smartphones, and music players Unique full-width bar handle for easy floor adjustment and carrying convenience Pro-Level Sound for Playing V-Drums The PM-100 is the perfect complement to any V-Drums set. Its compact size is ideal for playing at home, and the powerful custom speaker system delivers rich, full-range sound with inspiring punch and presence. The front face is angled for optimal sound monitoring while seated at the V-Drums, and a full-width bar handle on top offers a convenient way to carry the monitor and adjust its floor position. Versatile Onboard Mixing With its integrated mixer, the PM-100 allows you to monitor backing music and external devices along with your kit. There’s a dedicated V-Drums input, plus 1/4-inch and 1/8-inch line inputs for connecting electronic percussion pads, smartphones, and music players. Independent volume controls are provided for the V-Drums and line input sections, and there’s also a two-band equalizer for shaping the overall sound. Specifications: Rated Power Output 80 W Nominal Input Level V-Drums INPUT: -6 dBu (10 k ohms) LINE INPUT: -6 dBu (10 k ohms) Speaker 25 cm (10 inches) Woofer x 1, 5 cm (2 inches) Tweeter x 1 Controls POWER switch V-Drums VOLUME knob LINE INPUT VOLUME knob BASS knob TREBLE knob Indicators POWER Connectors V-Drums INPUT jack: Stereo 1/4-inch phone type LINE INPUT jack: Stereo 1/4-inch phone type, Stereo miniature phone type AC IN jack Power Consumption 36 W Accessories Owner's manual Power cord SIZE AND WEIGHT Width 388 mm Depth 407 mm Height 354 mm Weight 13.5 kg", "specification.id": 9, "specification.ts": "2018-01-24 00:32:16", "specification.key": "Weight", "specification.value": 0 }, "199": { "musical_instrument_x_specification.id": 199, "musical_instrument.id": 13, "musical_instrument.ts": "2018-01-24 00:37:42", "musical_instrument.title": "Roland PM-100 Drum Monitor", "musical_instrument.price": "£289.00", "musical_instrument.overview": "Electronic Drum Monitor Delivering rich, dynamic sound from a minimal footprint, the Roland PM-100 is the ideal compact monitoring solution for Roland’s V-Drums. Equipped with 80 watts of power, the PM-100 features a custom full-range speaker system and rugged cabinet specially optimized for reproducing the famously expressive V-Drums sound and response. And with onboard mixing capabilities, you’re able to connect music players and other devices for practice and enjoyment while playing at home. Key Features Premium all-in-one monitor designed for use with V-Drums electronic percussion products Full-range audio system with 80 watts of power, custom 10-inch speaker, and tweeter Angled design provides ideal sound coverage for the seated player Integrated mixer with independent volume controls and global EQ Dedicated V-Drums input, plus 1/4-inch and 1/8-inch line inputs for connecting electronic percussion pads, smartphones, and music players Unique full-width bar handle for easy floor adjustment and carrying convenience Pro-Level Sound for Playing V-Drums The PM-100 is the perfect complement to any V-Drums set. Its compact size is ideal for playing at home, and the powerful custom speaker system delivers rich, full-range sound with inspiring punch and presence. The front face is angled for optimal sound monitoring while seated at the V-Drums, and a full-width bar handle on top offers a convenient way to carry the monitor and adjust its floor position. Versatile Onboard Mixing With its integrated mixer, the PM-100 allows you to monitor backing music and external devices along with your kit. There’s a dedicated V-Drums input, plus 1/4-inch and 1/8-inch line inputs for connecting electronic percussion pads, smartphones, and music players. Independent volume controls are provided for the V-Drums and line input sections, and there’s also a two-band equalizer for shaping the overall sound. Specifications: Rated Power Output 80 W Nominal Input Level V-Drums INPUT: -6 dBu (10 k ohms) LINE INPUT: -6 dBu (10 k ohms) Speaker 25 cm (10 inches) Woofer x 1, 5 cm (2 inches) Tweeter x 1 Controls POWER switch V-Drums VOLUME knob LINE INPUT VOLUME knob BASS knob TREBLE knob Indicators POWER Connectors V-Drums INPUT jack: Stereo 1/4-inch phone type LINE INPUT jack: Stereo 1/4-inch phone type, Stereo miniature phone type AC IN jack Power Consumption 36 W Accessories Owner's manual Power cord SIZE AND WEIGHT Width 388 mm Depth 407 mm Height 354 mm Weight 13.5 kg", "specification.id": 199, "specification.ts": "2018-01-24 00:37:42", "specification.key": "SKU", "specification.value": 171662 }, "202": { "musical_instrument_x_specification.id": 202, "musical_instrument.id": 14, "musical_instrument.ts": "2018-01-24 00:37:53", "musical_instrument.title": "Roland PM-200 Drum Monitor", "musical_instrument.price": "£469.00", "musical_instrument.overview": "High Res Personal Drum Monitor Delivering rich, dynamic sound in a streamlined package, the Roland PM-200 is the ultimate monitoring solution for Roland’s V-Drums. Packing 180 watts of power, the PM-200 features a custom full-range speaker system and rugged cabinet specially optimized for reproducing the famously expressive V-Drums sound and response. And with integrated mixing and direct output capabilities, it’s easy to interface with other devices at home or on stage. Key Features: Premium all-in-one monitor designed for use with V-Drums electronic percussion products Equipped with 180 watts of power, a custom 12-inch speaker, and horn tweeter Angled design provides ideal sound coverage for the seated player Integrated mixer with independent volume controls and global EQ Dedicated V-Drums input, plus 1/4-inch and 1/8-inch line inputs for connecting electronic percussion pads, smartphones, and music players Two XLR direct outputs, with selectable stereo or dual mono output for a V-Drums module connected in stereo Unique full-width bar handle for easy floor adjustment and carrying convenience Pro-Level Sound for Playing V-Drums The PM-200 is the perfect complement to any V-Drums set. The custom 12-inch speaker and horn tweeter project big, full-range sound, and 180 watts of power provides ample headroom for both home playing and stage use. The front face is angled for optimal sound monitoring while seated at the V-Drums, and a full-width bar handle on top offers a convenient way to carry the monitor and adjust its floor position. Versatile Onboard Mixing With its integrated mixer, the PM-200 allows you to monitor backing music and external devices along with your kit. There’s a dedicated V-Drums input, plus 1/4-inch and 1/8-inch line inputs for connecting electronic percussion pads, smartphones, and music players. Independent volume controls are provided for the V-Drums and line input sections, and a two-band equalizer is on hand for shaping the overall sound. Direct Outputs for Recording and Stage Performing The PM-200 is also equipped with two XLR direct outputs to send sounds to a mixer or recording device, providing additional flexibility for using the monitor in stage, rehearsal, and studio applications. And while the PM-200 is a mono monitor, its inputs support stereo connections, enabling you to pass true stereo sound to the direct outputs. When a V-Drums module is connected in stereo to the V-Drums input, a convenient rear panel switch allows you to output its sound in dual mono or stereo to suit the needs of your setup. Specifications: Rated Power Output 180 W Nominal Input Level V-Drums INPUT: -6 dBu (10 k ohms) LINE INPUT: -6 dBu (10 k ohms) Speaker 30 cm (12 inches) Woofer x 1 Horn Tweeter x 1 Controls POWER switch V-Drums VOLUME knob LINE INPUT VOLUME knob BASS knob TREBLE knob Indicators POWER Connectors V-Drums INPUT jack: Stereo 1/4-inch phone type LINE INPUT jack: Stereo 1/4-inch phone type, Stereo miniature phone type Direct Out Connector: XLR Type AC IN jack Power Consumption 64 W Accessories Owner's manual Power cord SIZE AND WEIGHT Width 458 mm Depth 469 mm Height 420 mm Weight 21.0 kg", "specification.id": 9, "specification.ts": "2018-01-24 00:32:16", "specification.key": "Weight", "specification.value": 0 }, "201": { "musical_instrument_x_specification.id": 201, "musical_instrument.id": 14, "musical_instrument.ts": "2018-01-24 00:37:53", "musical_instrument.title": "Roland PM-200 Drum Monitor", "musical_instrument.price": "£469.00", "musical_instrument.overview": "High Res Personal Drum Monitor Delivering rich, dynamic sound in a streamlined package, the Roland PM-200 is the ultimate monitoring solution for Roland’s V-Drums. Packing 180 watts of power, the PM-200 features a custom full-range speaker system and rugged cabinet specially optimized for reproducing the famously expressive V-Drums sound and response. And with integrated mixing and direct output capabilities, it’s easy to interface with other devices at home or on stage. Key Features: Premium all-in-one monitor designed for use with V-Drums electronic percussion products Equipped with 180 watts of power, a custom 12-inch speaker, and horn tweeter Angled design provides ideal sound coverage for the seated player Integrated mixer with independent volume controls and global EQ Dedicated V-Drums input, plus 1/4-inch and 1/8-inch line inputs for connecting electronic percussion pads, smartphones, and music players Two XLR direct outputs, with selectable stereo or dual mono output for a V-Drums module connected in stereo Unique full-width bar handle for easy floor adjustment and carrying convenience Pro-Level Sound for Playing V-Drums The PM-200 is the perfect complement to any V-Drums set. The custom 12-inch speaker and horn tweeter project big, full-range sound, and 180 watts of power provides ample headroom for both home playing and stage use. The front face is angled for optimal sound monitoring while seated at the V-Drums, and a full-width bar handle on top offers a convenient way to carry the monitor and adjust its floor position. Versatile Onboard Mixing With its integrated mixer, the PM-200 allows you to monitor backing music and external devices along with your kit. There’s a dedicated V-Drums input, plus 1/4-inch and 1/8-inch line inputs for connecting electronic percussion pads, smartphones, and music players. Independent volume controls are provided for the V-Drums and line input sections, and a two-band equalizer is on hand for shaping the overall sound. Direct Outputs for Recording and Stage Performing The PM-200 is also equipped with two XLR direct outputs to send sounds to a mixer or recording device, providing additional flexibility for using the monitor in stage, rehearsal, and studio applications. And while the PM-200 is a mono monitor, its inputs support stereo connections, enabling you to pass true stereo sound to the direct outputs. When a V-Drums module is connected in stereo to the V-Drums input, a convenient rear panel switch allows you to output its sound in dual mono or stereo to suit the needs of your setup. Specifications: Rated Power Output 180 W Nominal Input Level V-Drums INPUT: -6 dBu (10 k ohms) LINE INPUT: -6 dBu (10 k ohms) Speaker 30 cm (12 inches) Woofer x 1 Horn Tweeter x 1 Controls POWER switch V-Drums VOLUME knob LINE INPUT VOLUME knob BASS knob TREBLE knob Indicators POWER Connectors V-Drums INPUT jack: Stereo 1/4-inch phone type LINE INPUT jack: Stereo 1/4-inch phone type, Stereo miniature phone type Direct Out Connector: XLR Type AC IN jack Power Consumption 64 W Accessories Owner's manual Power cord SIZE AND WEIGHT Width 458 mm Depth 469 mm Height 420 mm Weight 21.0 kg", "specification.id": 201, "specification.ts": "2018-01-24 00:37:53", "specification.key": "SKU", "specification.value": 171663 }, "203": { "musical_instrument_x_specification.id": 203, "musical_instrument.id": 15, "musical_instrument.ts": "2018-01-24 00:38:34", "musical_instrument.title": "Korg Prologue 16 Polyphonic Analogue Synthesizer", "musical_instrument.price": "£1,739.00", "musical_instrument.overview": "The long-awaited followup to the Korg Minilogue and Monologue is finally here - meet the Korg Prologue 16. Prologue 16 represents the new generation of analogue programming for Korg - a fully user customizable synth that combines a full-sized 61-note keybed, DSP effects and a new 16-voice polyphonic, multi-timbral synth engine. 4 voice modes, Noise Generator, FM Oscillator and a built-in Arpeggiator give the Prologue unprecedented sonic capability. The Prologue 16 is the perfect choice for those that want the full power and capability of Korg's latest effects, bigger voice pallette and a wider range of keys for the stage. Key Features: 61-Note Natural-Touch Keyboard 16-voice analog synthesizer circuit New L.F. COMP. (Low Frequency Compressor) analogue effect (Prologue-16 only) New Analogue Multi-Engine: 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO with VCO3, Digital and FM Noise Generator, VPM Oscillator and 16 User Wavetable Slots High-quality DSP Digital Effects An open API (Application Programming Interface) for user-created oscillators and effects Bi-timbre support 4 Voice Modes: Polyphonic, Mono, Unison, Chord Arpeggiator equipped with a variety of types and range settings Program Sort allows rapid access to 500 programs Oscilloscope function shows the waveform visually Tough and stylish body made of aluminum and wood Sync with another groove machine to enjoy jam sessions Made in Japan Powerful Sound Engine In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator’s overtones and a sync/ring switch, Prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from minilogue and monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer. Prologue also features a Noise Generator for added depth and texture to your sounds. NEW Analogue Comp/Boost Designed to maximize the dynamic range and signal consistency for live stage performances, this exclusive new effect compresses and boosts the signal of the Prologue 16 in a natural, authentic way. Without over-processing, the analogue circuitry adds presence and depth to your sounds that you can't get from a simple EQ tweak. Brand New Oscillators - VPM and User The VPM (Variable Phase Modulation) / FM oscillator was newly developed for prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by traditional analogue methods. With 16 Oscillator Types and the SHAPE knob, you can intuitively dial in complex and lush sounds without spending hours learning the interface. Combine these rich new textures with Prologue's analogue filters and you've got an almost limitless sonic soundscape to work with. Arpeggiator The built-in Prologue Arpeggiator features a 4-octave range and 6 arp types for complex and intricate melodic runs not possible playing manually. The Arpeggiator has become a standard feature for most modern synths, but combined with the level of user customization and effects on Prologue - this is a whole new beast. 4 Voice Modes Korg Prologue 16 provides 4 independent voice modes that completely re-define the possibilities for a poly synth of this size. In standard POLY mode, you get up to 16 note polyphonic playback as expected. MONO mode can be used in conjunction with a sub-oscillator for powerful sub bass performance, one note at a time. UNISON offers a much thicker, warmer lead synth sound by combining all voices together. Finally, CHORD is a brand new play mode that offers complex chords to be played with one finger. You can also blend the intensity of these modes by using the DEPTH knob. Bi-timbral The Korg Prologue 16 is a two-timbre synthesizer that lets you play two different programs simultaneously. In addition to layer and split, you can use crossfade to smoothly transition between the main timbre and sub timbre. Digital DSP Effects Utilising 24-bit floating-point processing, Prologue's effects engine sets a new standard for analogue synthesizers in this price bracket. It features dual effect units to be used side-by-side - a modulation slot and Reverb/Delay. Dial in a wide range of sounds from a lush chorus or ensemble, tape delay or reverb patterns. Easy to Navigate Traditionally, analogue synths can be clunky to use and find the right sound. Preset Management is made super easy on the Prologue 16, courtesy of eight programme sorting methods. You can sort by category, alphabetical order, use LIKE to view the programs that you marked as your favourites, FREQUENT to sort the programs in order of their frequency of use, or ENVELOPE to sort the programs in order of their envelope shape (note duration). PROG NUM: Sort by program numberCATEGORY: Sort by program categoryALPHABETICAL: Sort programs alphabeticallyLIKE: Sort by programs that you “liked.”FREQUENT: Sort by how frequently you used the programENVELOPE: Sort by envelope shapeRANDOM: Sort randomlyLIVE SET: Sort programs registered in a live set Gorgeous Looks & Playability Thanks to a Japanese-made, natural touch keybed and oak wood side panels, Prologue 16 is expressive for studio and live performance, eminating the feel of a boutique synthesizer with a classic look.", "specification.id": 203, "specification.ts": "2018-01-24 00:38:34", "specification.key": "SKU", "specification.value": 171791 }, "204": { "musical_instrument_x_specification.id": 204, "musical_instrument.id": 15, "musical_instrument.ts": "2018-01-24 00:38:34", "musical_instrument.title": "Korg Prologue 16 Polyphonic Analogue Synthesizer", "musical_instrument.price": "£1,739.00", "musical_instrument.overview": "The long-awaited followup to the Korg Minilogue and Monologue is finally here - meet the Korg Prologue 16. Prologue 16 represents the new generation of analogue programming for Korg - a fully user customizable synth that combines a full-sized 61-note keybed, DSP effects and a new 16-voice polyphonic, multi-timbral synth engine. 4 voice modes, Noise Generator, FM Oscillator and a built-in Arpeggiator give the Prologue unprecedented sonic capability. The Prologue 16 is the perfect choice for those that want the full power and capability of Korg's latest effects, bigger voice pallette and a wider range of keys for the stage. Key Features: 61-Note Natural-Touch Keyboard 16-voice analog synthesizer circuit New L.F. COMP. (Low Frequency Compressor) analogue effect (Prologue-16 only) New Analogue Multi-Engine: 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO with VCO3, Digital and FM Noise Generator, VPM Oscillator and 16 User Wavetable Slots High-quality DSP Digital Effects An open API (Application Programming Interface) for user-created oscillators and effects Bi-timbre support 4 Voice Modes: Polyphonic, Mono, Unison, Chord Arpeggiator equipped with a variety of types and range settings Program Sort allows rapid access to 500 programs Oscilloscope function shows the waveform visually Tough and stylish body made of aluminum and wood Sync with another groove machine to enjoy jam sessions Made in Japan Powerful Sound Engine In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator’s overtones and a sync/ring switch, Prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from minilogue and monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer. Prologue also features a Noise Generator for added depth and texture to your sounds. NEW Analogue Comp/Boost Designed to maximize the dynamic range and signal consistency for live stage performances, this exclusive new effect compresses and boosts the signal of the Prologue 16 in a natural, authentic way. Without over-processing, the analogue circuitry adds presence and depth to your sounds that you can't get from a simple EQ tweak. Brand New Oscillators - VPM and User The VPM (Variable Phase Modulation) / FM oscillator was newly developed for prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by traditional analogue methods. With 16 Oscillator Types and the SHAPE knob, you can intuitively dial in complex and lush sounds without spending hours learning the interface. Combine these rich new textures with Prologue's analogue filters and you've got an almost limitless sonic soundscape to work with. Arpeggiator The built-in Prologue Arpeggiator features a 4-octave range and 6 arp types for complex and intricate melodic runs not possible playing manually. The Arpeggiator has become a standard feature for most modern synths, but combined with the level of user customization and effects on Prologue - this is a whole new beast. 4 Voice Modes Korg Prologue 16 provides 4 independent voice modes that completely re-define the possibilities for a poly synth of this size. In standard POLY mode, you get up to 16 note polyphonic playback as expected. MONO mode can be used in conjunction with a sub-oscillator for powerful sub bass performance, one note at a time. UNISON offers a much thicker, warmer lead synth sound by combining all voices together. Finally, CHORD is a brand new play mode that offers complex chords to be played with one finger. You can also blend the intensity of these modes by using the DEPTH knob. Bi-timbral The Korg Prologue 16 is a two-timbre synthesizer that lets you play two different programs simultaneously. In addition to layer and split, you can use crossfade to smoothly transition between the main timbre and sub timbre. Digital DSP Effects Utilising 24-bit floating-point processing, Prologue's effects engine sets a new standard for analogue synthesizers in this price bracket. It features dual effect units to be used side-by-side - a modulation slot and Reverb/Delay. Dial in a wide range of sounds from a lush chorus or ensemble, tape delay or reverb patterns. Easy to Navigate Traditionally, analogue synths can be clunky to use and find the right sound. Preset Management is made super easy on the Prologue 16, courtesy of eight programme sorting methods. You can sort by category, alphabetical order, use LIKE to view the programs that you marked as your favourites, FREQUENT to sort the programs in order of their frequency of use, or ENVELOPE to sort the programs in order of their envelope shape (note duration). PROG NUM: Sort by program numberCATEGORY: Sort by program categoryALPHABETICAL: Sort programs alphabeticallyLIKE: Sort by programs that you “liked.”FREQUENT: Sort by how frequently you used the programENVELOPE: Sort by envelope shapeRANDOM: Sort randomlyLIVE SET: Sort programs registered in a live set Gorgeous Looks & Playability Thanks to a Japanese-made, natural touch keybed and oak wood side panels, Prologue 16 is expressive for studio and live performance, eminating the feel of a boutique synthesizer with a classic look.", "specification.id": 204, "specification.ts": "2018-01-24 00:38:34", "specification.key": "Weight", "specification.value": 10 }, "205": { "musical_instrument_x_specification.id": 205, "musical_instrument.id": 15, "musical_instrument.ts": "2018-01-24 00:38:34", "musical_instrument.title": "Korg Prologue 16 Polyphonic Analogue Synthesizer", "musical_instrument.price": "£1,739.00", "musical_instrument.overview": "The long-awaited followup to the Korg Minilogue and Monologue is finally here - meet the Korg Prologue 16. Prologue 16 represents the new generation of analogue programming for Korg - a fully user customizable synth that combines a full-sized 61-note keybed, DSP effects and a new 16-voice polyphonic, multi-timbral synth engine. 4 voice modes, Noise Generator, FM Oscillator and a built-in Arpeggiator give the Prologue unprecedented sonic capability. The Prologue 16 is the perfect choice for those that want the full power and capability of Korg's latest effects, bigger voice pallette and a wider range of keys for the stage. Key Features: 61-Note Natural-Touch Keyboard 16-voice analog synthesizer circuit New L.F. COMP. (Low Frequency Compressor) analogue effect (Prologue-16 only) New Analogue Multi-Engine: 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO with VCO3, Digital and FM Noise Generator, VPM Oscillator and 16 User Wavetable Slots High-quality DSP Digital Effects An open API (Application Programming Interface) for user-created oscillators and effects Bi-timbre support 4 Voice Modes: Polyphonic, Mono, Unison, Chord Arpeggiator equipped with a variety of types and range settings Program Sort allows rapid access to 500 programs Oscilloscope function shows the waveform visually Tough and stylish body made of aluminum and wood Sync with another groove machine to enjoy jam sessions Made in Japan Powerful Sound Engine In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator’s overtones and a sync/ring switch, Prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from minilogue and monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer. Prologue also features a Noise Generator for added depth and texture to your sounds. NEW Analogue Comp/Boost Designed to maximize the dynamic range and signal consistency for live stage performances, this exclusive new effect compresses and boosts the signal of the Prologue 16 in a natural, authentic way. Without over-processing, the analogue circuitry adds presence and depth to your sounds that you can't get from a simple EQ tweak. Brand New Oscillators - VPM and User The VPM (Variable Phase Modulation) / FM oscillator was newly developed for prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by traditional analogue methods. With 16 Oscillator Types and the SHAPE knob, you can intuitively dial in complex and lush sounds without spending hours learning the interface. Combine these rich new textures with Prologue's analogue filters and you've got an almost limitless sonic soundscape to work with. Arpeggiator The built-in Prologue Arpeggiator features a 4-octave range and 6 arp types for complex and intricate melodic runs not possible playing manually. The Arpeggiator has become a standard feature for most modern synths, but combined with the level of user customization and effects on Prologue - this is a whole new beast. 4 Voice Modes Korg Prologue 16 provides 4 independent voice modes that completely re-define the possibilities for a poly synth of this size. In standard POLY mode, you get up to 16 note polyphonic playback as expected. MONO mode can be used in conjunction with a sub-oscillator for powerful sub bass performance, one note at a time. UNISON offers a much thicker, warmer lead synth sound by combining all voices together. Finally, CHORD is a brand new play mode that offers complex chords to be played with one finger. You can also blend the intensity of these modes by using the DEPTH knob. Bi-timbral The Korg Prologue 16 is a two-timbre synthesizer that lets you play two different programs simultaneously. In addition to layer and split, you can use crossfade to smoothly transition between the main timbre and sub timbre. Digital DSP Effects Utilising 24-bit floating-point processing, Prologue's effects engine sets a new standard for analogue synthesizers in this price bracket. It features dual effect units to be used side-by-side - a modulation slot and Reverb/Delay. Dial in a wide range of sounds from a lush chorus or ensemble, tape delay or reverb patterns. Easy to Navigate Traditionally, analogue synths can be clunky to use and find the right sound. Preset Management is made super easy on the Prologue 16, courtesy of eight programme sorting methods. You can sort by category, alphabetical order, use LIKE to view the programs that you marked as your favourites, FREQUENT to sort the programs in order of their frequency of use, or ENVELOPE to sort the programs in order of their envelope shape (note duration). PROG NUM: Sort by program numberCATEGORY: Sort by program categoryALPHABETICAL: Sort programs alphabeticallyLIKE: Sort by programs that you “liked.”FREQUENT: Sort by how frequently you used the programENVELOPE: Sort by envelope shapeRANDOM: Sort randomlyLIVE SET: Sort programs registered in a live set Gorgeous Looks & Playability Thanks to a Japanese-made, natural touch keybed and oak wood side panels, Prologue 16 is expressive for studio and live performance, eminating the feel of a boutique synthesizer with a classic look.", "specification.id": 205, "specification.ts": "2018-01-24 00:38:34", "specification.key": "MPN", "specification.value": "Prologue 16" }, "206": { "musical_instrument_x_specification.id": 206, "musical_instrument.id": 15, "musical_instrument.ts": "2018-01-24 00:38:34", "musical_instrument.title": "Korg Prologue 16 Polyphonic Analogue Synthesizer", "musical_instrument.price": "£1,739.00", "musical_instrument.overview": "The long-awaited followup to the Korg Minilogue and Monologue is finally here - meet the Korg Prologue 16. Prologue 16 represents the new generation of analogue programming for Korg - a fully user customizable synth that combines a full-sized 61-note keybed, DSP effects and a new 16-voice polyphonic, multi-timbral synth engine. 4 voice modes, Noise Generator, FM Oscillator and a built-in Arpeggiator give the Prologue unprecedented sonic capability. The Prologue 16 is the perfect choice for those that want the full power and capability of Korg's latest effects, bigger voice pallette and a wider range of keys for the stage. Key Features: 61-Note Natural-Touch Keyboard 16-voice analog synthesizer circuit New L.F. COMP. (Low Frequency Compressor) analogue effect (Prologue-16 only) New Analogue Multi-Engine: 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO with VCO3, Digital and FM Noise Generator, VPM Oscillator and 16 User Wavetable Slots High-quality DSP Digital Effects An open API (Application Programming Interface) for user-created oscillators and effects Bi-timbre support 4 Voice Modes: Polyphonic, Mono, Unison, Chord Arpeggiator equipped with a variety of types and range settings Program Sort allows rapid access to 500 programs Oscilloscope function shows the waveform visually Tough and stylish body made of aluminum and wood Sync with another groove machine to enjoy jam sessions Made in Japan Powerful Sound Engine In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator’s overtones and a sync/ring switch, Prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from minilogue and monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer. Prologue also features a Noise Generator for added depth and texture to your sounds. NEW Analogue Comp/Boost Designed to maximize the dynamic range and signal consistency for live stage performances, this exclusive new effect compresses and boosts the signal of the Prologue 16 in a natural, authentic way. Without over-processing, the analogue circuitry adds presence and depth to your sounds that you can't get from a simple EQ tweak. Brand New Oscillators - VPM and User The VPM (Variable Phase Modulation) / FM oscillator was newly developed for prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by traditional analogue methods. With 16 Oscillator Types and the SHAPE knob, you can intuitively dial in complex and lush sounds without spending hours learning the interface. Combine these rich new textures with Prologue's analogue filters and you've got an almost limitless sonic soundscape to work with. Arpeggiator The built-in Prologue Arpeggiator features a 4-octave range and 6 arp types for complex and intricate melodic runs not possible playing manually. The Arpeggiator has become a standard feature for most modern synths, but combined with the level of user customization and effects on Prologue - this is a whole new beast. 4 Voice Modes Korg Prologue 16 provides 4 independent voice modes that completely re-define the possibilities for a poly synth of this size. In standard POLY mode, you get up to 16 note polyphonic playback as expected. MONO mode can be used in conjunction with a sub-oscillator for powerful sub bass performance, one note at a time. UNISON offers a much thicker, warmer lead synth sound by combining all voices together. Finally, CHORD is a brand new play mode that offers complex chords to be played with one finger. You can also blend the intensity of these modes by using the DEPTH knob. Bi-timbral The Korg Prologue 16 is a two-timbre synthesizer that lets you play two different programs simultaneously. In addition to layer and split, you can use crossfade to smoothly transition between the main timbre and sub timbre. Digital DSP Effects Utilising 24-bit floating-point processing, Prologue's effects engine sets a new standard for analogue synthesizers in this price bracket. It features dual effect units to be used side-by-side - a modulation slot and Reverb/Delay. Dial in a wide range of sounds from a lush chorus or ensemble, tape delay or reverb patterns. Easy to Navigate Traditionally, analogue synths can be clunky to use and find the right sound. Preset Management is made super easy on the Prologue 16, courtesy of eight programme sorting methods. You can sort by category, alphabetical order, use LIKE to view the programs that you marked as your favourites, FREQUENT to sort the programs in order of their frequency of use, or ENVELOPE to sort the programs in order of their envelope shape (note duration). PROG NUM: Sort by program numberCATEGORY: Sort by program categoryALPHABETICAL: Sort programs alphabeticallyLIKE: Sort by programs that you “liked.”FREQUENT: Sort by how frequently you used the programENVELOPE: Sort by envelope shapeRANDOM: Sort randomlyLIVE SET: Sort programs registered in a live set Gorgeous Looks & Playability Thanks to a Japanese-made, natural touch keybed and oak wood side panels, Prologue 16 is expressive for studio and live performance, eminating the feel of a boutique synthesizer with a classic look.", "specification.id": 206, "specification.ts": "2018-01-24 00:38:34", "specification.key": "Number of Keys", "specification.value": "61 keys" }, "207": { "musical_instrument_x_specification.id": 207, "musical_instrument.id": 15, "musical_instrument.ts": "2018-01-24 00:38:34", "musical_instrument.title": "Korg Prologue 16 Polyphonic Analogue Synthesizer", "musical_instrument.price": "£1,739.00", "musical_instrument.overview": "The long-awaited followup to the Korg Minilogue and Monologue is finally here - meet the Korg Prologue 16. Prologue 16 represents the new generation of analogue programming for Korg - a fully user customizable synth that combines a full-sized 61-note keybed, DSP effects and a new 16-voice polyphonic, multi-timbral synth engine. 4 voice modes, Noise Generator, FM Oscillator and a built-in Arpeggiator give the Prologue unprecedented sonic capability. The Prologue 16 is the perfect choice for those that want the full power and capability of Korg's latest effects, bigger voice pallette and a wider range of keys for the stage. Key Features: 61-Note Natural-Touch Keyboard 16-voice analog synthesizer circuit New L.F. COMP. (Low Frequency Compressor) analogue effect (Prologue-16 only) New Analogue Multi-Engine: 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO with VCO3, Digital and FM Noise Generator, VPM Oscillator and 16 User Wavetable Slots High-quality DSP Digital Effects An open API (Application Programming Interface) for user-created oscillators and effects Bi-timbre support 4 Voice Modes: Polyphonic, Mono, Unison, Chord Arpeggiator equipped with a variety of types and range settings Program Sort allows rapid access to 500 programs Oscilloscope function shows the waveform visually Tough and stylish body made of aluminum and wood Sync with another groove machine to enjoy jam sessions Made in Japan Powerful Sound Engine In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator’s overtones and a sync/ring switch, Prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from minilogue and monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer. Prologue also features a Noise Generator for added depth and texture to your sounds. NEW Analogue Comp/Boost Designed to maximize the dynamic range and signal consistency for live stage performances, this exclusive new effect compresses and boosts the signal of the Prologue 16 in a natural, authentic way. Without over-processing, the analogue circuitry adds presence and depth to your sounds that you can't get from a simple EQ tweak. Brand New Oscillators - VPM and User The VPM (Variable Phase Modulation) / FM oscillator was newly developed for prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by traditional analogue methods. With 16 Oscillator Types and the SHAPE knob, you can intuitively dial in complex and lush sounds without spending hours learning the interface. Combine these rich new textures with Prologue's analogue filters and you've got an almost limitless sonic soundscape to work with. Arpeggiator The built-in Prologue Arpeggiator features a 4-octave range and 6 arp types for complex and intricate melodic runs not possible playing manually. The Arpeggiator has become a standard feature for most modern synths, but combined with the level of user customization and effects on Prologue - this is a whole new beast. 4 Voice Modes Korg Prologue 16 provides 4 independent voice modes that completely re-define the possibilities for a poly synth of this size. In standard POLY mode, you get up to 16 note polyphonic playback as expected. MONO mode can be used in conjunction with a sub-oscillator for powerful sub bass performance, one note at a time. UNISON offers a much thicker, warmer lead synth sound by combining all voices together. Finally, CHORD is a brand new play mode that offers complex chords to be played with one finger. You can also blend the intensity of these modes by using the DEPTH knob. Bi-timbral The Korg Prologue 16 is a two-timbre synthesizer that lets you play two different programs simultaneously. In addition to layer and split, you can use crossfade to smoothly transition between the main timbre and sub timbre. Digital DSP Effects Utilising 24-bit floating-point processing, Prologue's effects engine sets a new standard for analogue synthesizers in this price bracket. It features dual effect units to be used side-by-side - a modulation slot and Reverb/Delay. Dial in a wide range of sounds from a lush chorus or ensemble, tape delay or reverb patterns. Easy to Navigate Traditionally, analogue synths can be clunky to use and find the right sound. Preset Management is made super easy on the Prologue 16, courtesy of eight programme sorting methods. You can sort by category, alphabetical order, use LIKE to view the programs that you marked as your favourites, FREQUENT to sort the programs in order of their frequency of use, or ENVELOPE to sort the programs in order of their envelope shape (note duration). PROG NUM: Sort by program numberCATEGORY: Sort by program categoryALPHABETICAL: Sort programs alphabeticallyLIKE: Sort by programs that you “liked.”FREQUENT: Sort by how frequently you used the programENVELOPE: Sort by envelope shapeRANDOM: Sort randomlyLIVE SET: Sort programs registered in a live set Gorgeous Looks & Playability Thanks to a Japanese-made, natural touch keybed and oak wood side panels, Prologue 16 is expressive for studio and live performance, eminating the feel of a boutique synthesizer with a classic look.", "specification.id": 207, "specification.ts": "2018-01-24 00:38:34", "specification.key": "Synthesis Type", "specification.value": "analogue" }, "213": { "musical_instrument_x_specification.id": 213, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 5, "specification.ts": "2018-01-24 00:32:08", "specification.key": "Warranty", "specification.value": "2 years" }, "222": { "musical_instrument_x_specification.id": 222, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 25, "specification.ts": "2018-01-24 00:32:27", "specification.key": "Body Material", "specification.value": "mahogany body" }, "221": { "musical_instrument_x_specification.id": 221, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 26, "specification.ts": "2018-01-24 00:32:27", "specification.key": "Body Size", "specification.value": "full size" }, "218": { "musical_instrument_x_specification.id": 218, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 27, "specification.ts": "2018-01-24 00:32:27", "specification.key": "Right / Left Handed", "specification.value": "right handed" }, "217": { "musical_instrument_x_specification.id": 217, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 54, "specification.ts": "2018-01-24 00:32:37", "specification.key": "Number Of Strings", "specification.value": "6 string" }, "219": { "musical_instrument_x_specification.id": 219, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 70, "specification.ts": "2018-01-24 00:32:50", "specification.key": "Fingerboard", "specification.value": "rosewood fingerboard" }, "208": { "musical_instrument_x_specification.id": 208, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 208, "specification.ts": "2018-01-24 00:38:56", "specification.key": "SKU", "specification.value": 171923 }, "209": { "musical_instrument_x_specification.id": 209, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 209, "specification.ts": "2018-01-24 00:38:56", "specification.key": "Weight", "specification.value": 5 }, "210": { "musical_instrument_x_specification.id": 210, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 210, "specification.ts": "2018-01-24 00:38:56", "specification.key": "MPN", "specification.value": "0017AUTHENTIC1931VTSG" }, "211": { "musical_instrument_x_specification.id": 211, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 211, "specification.ts": "2018-01-24 00:38:56", "specification.key": "Case Included", "specification.value": "hard case" }, "212": { "musical_instrument_x_specification.id": 212, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 212, "specification.ts": "2018-01-24 00:38:56", "specification.key": "Colour", "specification.value": "natural" }, "214": { "musical_instrument_x_specification.id": 214, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 214, "specification.ts": "2018-01-24 00:38:56", "specification.key": "Scale Length", "specification.value": "24.9\"" }, "215": { "musical_instrument_x_specification.id": 215, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 215, "specification.ts": "2018-01-24 00:38:56", "specification.key": "Nut Width", "specification.value": "1-7/8\"" }, "216": { "musical_instrument_x_specification.id": 216, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 216, "specification.ts": "2018-01-24 00:38:56", "specification.key": "Neck Wood", "specification.value": "genuine mahogany neck" }, "220": { "musical_instrument_x_specification.id": 220, "musical_instrument.id": 16, "musical_instrument.ts": "2018-01-24 00:38:56", "musical_instrument.title": "Martin 00-17 Authentic 1931 Grand Concert Acoustic", "musical_instrument.price": "£4,199.00", "musical_instrument.overview": "Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4\" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9\" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16\" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell", "specification.id": 220, "specification.ts": "2018-01-24 00:38:56", "specification.key": "Guitar Style", "specification.value": "grand concert" } } } }