Electro Harmonix Op-Amp Big Muff Pi 2017 Reissue, Distortion/Sustainer Effects Pedal for Guitar Despite the number of changes and advancements made in the production of Fuzz pedals over the years, discerning tonehounds find themselves being constantly drawn back to some of those vintage fuzzboxes of yesteryear. Unfortunately, the rarity of these pedals in today's market means that the price is inflated to the point of near-unaffordability, and owning one can be little more than a far-off dream for most musicians. Recreate Those Classic 70's Muff Pi Tones! Thanks to Electro Harmonix though, you need want no more: introducing the fabulous Electro Harmonix Op-Amp Big Muff Pi - a 2017 reissue of the classic late 1970's circuit of the same name - and it's available at a price that most guitarists can afford! Faithful to the Original For this reissue, Electro Harmonix have gone all-out in delivering the same kind of tones that the original Op-Amp Big Muff Pi was famed for. Relying on op-amps rather than transistors, and three gain stages rather than four, the new EHX Op-Amp Big Muff Pi can produce a huge, crushing Big Muff sound with more crunch, that's great for heavy rhythm playing and heavy leads. Pumpkin Pi? One of the most famous proponents of both the original circuit and this reissue is none other than Billy Corgan (of The Smashing Pumpkins fame). Fans of Billy's will recognise the crushing tones of the Op-Amp Big Muff Pi as those used on 1993's groundbreaking Siamese Dream, Smashing Pumpkins' second album and arguably the one that helped cement them as rock legends. New and Improved Whilst the sounds produced by the Op-Amp Big Muff Pi are as faithful to the original as you can get - in fact Billy Corgan himself said in an interview 'The magic's still in the tbox, I can still get what I'm looking for!' - Electro Harmonix have added one or two practical improvements. These enhancements include: an all-new, compact, die-cast chassis, allowing the pedal to fit snuggly onto most pedalboards, whilst being robust enough to survive life on the road; true-bypass switching, ensuring that your guitar's tone is preserved whether the pedal is in use or not; and an all-new look, with striking orange finish, allowing the pedal to stand out against the other Big Muff Pi pedals available. New for 2017 If you'd like more information regarding the availability of this fabulous pedal, please feel free to call into your local PMT Store or contact our online sales team directly. Highlights A faithful reissue of the original classic circa 1978 Iconic sound and vibe that’s coveted by guitarists Controls for Tone, Sustain and Volume, plus a Tone Bypass switch. True bypass switching for maximum signal integrity in bypass mode Rugged, compact, die-cast package… pedalboard friendly Ships with a 9Volt battery, also accepts an optional EHX9.6DC-200 AC Adapter Dimensions in inches: 2.75 (w) x 4.5 (l) x 2.1 (h) Dimensions in mm: 70 (w) x 115 (l) x 54 (h)

Ibanez TMB100-WNF, Talman Series 4 String Electric Bass, Walnut Flat Finish, PJ Pickup Configuration, and Chrome Hardware A re-emergence in recent years, the Ibanez Talman body shape is making a comeback and is now more popular than ever. This unique body shape is combined with that famed Ibanez playability, and a powerful range of genre-hopping versatility to give you an all-round great instrument that looks pretty darn cool, and comes at a price that's perfect for beginners! Rock Solid Tone at an Affordable Price With the TMB100-WNF you get a good, reliable, rock-solid bass guitar that's suitable for a wide variety of music genres. Featuring that unique Talman body shape, a PJ pickup configuration, 2-band Ibanez Custom EQ, and a gloss-finished TMB4 neck, this would be the perfect instrument for either a beginner or a more experienced player looking to add a little extra to their collection, but at a budget-friendly price. Dynamix Pickups For that rich, vintage, no-nonsense sound, you can't go wrong with the PJ Pickup configuration on the TMB100-WNF. With the Split Coil (P) pickup you get all of the meaty, thumping bass tones normally associated with the famed P-Bass, and with the Single Coil (J) pickup you're presented with all of the bite and clarity normally associated with a J-Bass. Ibanez Custom Electronics What initially may look like two normal control pots are actually stacked for extra options. In addition to the standard Volume pot, stacked underneath it is a Balance control so you can choose which pickup you use, or even a nice blend of them both. In what would normally be the Tone position, instead you have a 2-band EQ with the top control being a Treble Boost/Cut, and the bottom being a Bass Boost/Cut. Each of these controls combine perfectly to help you choose the right tone for your situation! New for 2018 Whilst there have been Talman bass guitars around for a year or two now, this is the first time it's been available in a Walnut Flat finish. Call into your local PMT today to check out our range of Ibanez stock and choose the right instrument for you. Order this guitar online today and make use of our fabulous home-delivery service! Highlights Budget-friendly Ibanez Talman bass guitar PJ Pickup combination gives you rock-solid tone options Lightweight and comfortable Poplar body ensures a comfortable playing experience Gloss-finished neck gives a vintage feel when played New Walnut Flat finish for 2018 Free Home Delivery Available! Technical Specs Neck: TMB4 Maple neck Scale Length: 34" Nut Width: 41mm Fretboard Radius: 240mm Body Material: Poplar Fingerboard: Jatoba fretboard w/White dot inlay Frets: 22 Medium frets Neck Pickup: Dynamix P (Split Coil) Bridge Pickup: Dynamix J (Single Coil) Electronics: Ibanez Custom Electronics 2-band EQ Bridge: B10 bridge (19mm string spacing) Hardware: Chrome

Ibanez AEWC300-NNB, AEWC Electro Acoustic Guitar, Natural Brown Burst Finish, Spruce Top, Flamed Maple Back and Sides With their AEW series of acoustic guitars, Ibanez have shown time and time again why they're considered an industry-leader in the use of exotic tonewoods. These innovative guitars combine the use of exotic tonewoods with a thinner, amplification-friendly body, which makes them the perfect instrument for gigging singer-songwriters. Exotic Wood Electro Acoustic - New for 2018 The AEWC300-NNB continues this legacy, with it's specially designed comfort body, Flamed-Maple body construction (back and sides), Solid Sitka Spruce top, Natural Brown Burst finish, brand-new AEWC Asymmetric comfort neck, Fishman Sonicore pickup, Ibanez AEQ-SP2 preamp, and a whole host of high-quality appointments. Inspired Tonewood Choices Despite being more traditionally associated with violin construction, Flamed Maple makes an interesting and fun choice for use in this guitar. The wood is highly dense and reflective, causing it to yield a loud, projective, and sustained tone. This works perfectly for the thinner body construction of the AEWC300-NNB, giving it a surprisingly loud voice for its size, and to cap it all off it looks stunning! Asymmetrical Neck Constructed to be slightly thicker on one side than the other, this neck ensures a supremely comfortable playing experience, especially if you play with your thumb on the back of the neck. Perfect for both chording and solos, this neck style has to be experienced to be believed. High Grade Electronics Featuring a Fishman Sonicore pickup that's complimented nicely by the Ibanez AEQ-SP2 preamp. Make use of the XLR or 1/4" output sockets to accurately amplify your playing to the audience, whether it's through an acoustic amp or the house PA system. Great Price Despite all of the goodies that have gone into creating this excellent guitar, it can be yours at a more than reasonable price! Head on down to your local PMT store to check out our range of Ibanez acoustics and find the right fit for you - you won't regret it. Order this guitar online today and make use of our fabulous finance and free delivery options! Highlights High-quality Ibanez electro-acoustic guitar, with a Flamed Maple body, Sitka Spruce top, and comfortable, asymmetrical neck Fishman sonicore pickup and Ibanez preamp built in for an accurate amplification of your sound Great value for money 0% finance and free delivery available Technical Specs Body Type: AEWC specially designed comfort body Scale Length: 634mm/25" scale Top Material: Solid Spruce top Back and Sides: Flamed Maple back & sides Body depth: 50/100mm at neck joint/body end Neck: AEWC Asymmetric comfort Mahogany neck (satin finish) Bridge Material: Rosewood (w/o bridge pins) Rosette Material: Abalone Hardware: Chrome Die-cast tuners w/Black knobs Pickup: Fishman Sonicore Preamp: Ibanez AEQ-SP2 preamp w/Onboard tuner Outputs: Balanced XLR & 1/4" outputs Strings: Ibanez IACS6C coated strings Frets: 20 Large Fretboard: Rosewood

Ibanez JBBM20-GR, JB Brubaker Signature Electric Guitar, Green Finish with White Stripes, EMG 85/81 Humbuckers, Fixed Bridge, and Ebony Fretboard Since their formation in 2003, American metalcore band and Grammy award nominees August Burns Red have been setting the metal world alight thanks to their inspirational lyrics, dynamic riffs, and blistering guitar solos. Lead-guitarist JB Brubaker has long been a fan and proponent of Ibanez guitars, so it's only natural that he's recently worked closely with the company in the production of his very first signature series model, the JBBM20-GR! JB Brubaker 2018 Signature Model Featuring a Green finish (with white stripes, of course), an EMG 85/81 pickup configuration, Gibraltar Standard II fixed bridge, silky-smooth JBBM 3pc neck, and Ebony Fretboard, this RGA-Series "Superstrat" inspired model is a no-nonsense shredding machine, which, in the right hands, could be considered a potentially deadly weapon. EMG Humbuckers Despite the obvious Rock and Metal connotations with the guitar's look and ESP's reputation, the pickups help to tell a slightly different story. Whilst the EMG 81 bridge pickup throws out the kind of high-output spank you'd expect from a guitar like this, the EMG 85 neck pickup is another animal altogether. The 85 is constructed with two Alnico magnet-loaded coils with a wide aperture, allowing you to retain a chunky low end and fatter top end, giving you a more natural tone and acting as the perfect choice for a bluesy rock solo, especially when partnered up with a hot-running valve amp with the drive bumped up almost to the point of breakup. The 81 bridge pickup works best with high-volume overdrive settings, giving you a razor sharp attack and incredible sustain for those pesky lead breaks. The ceramic magnet housed in the pickup combines perfectly with the wide aperture steel poles to give you a fast attack with a nice, fat tone. As if that wasn't enough, the EMG 81 is also a relatively quiet humbucker, meaning that even when playing with really high-gain settings the amount of excess hiss and noise is minimal. Fixed Bridge The "Simple-but-effective" Gibraltar Standard II fixed bridge on the JBBM20-GR has been specially designed to unify with the guitar's body, providing just the right amount of transfer for each strings vibration whilst offering you the maximum amount of playing comfort. New for 2018 Announced as part of Ibanez's 2018 lineup, the JBBM20-GR would make a great addition to the collection of any metal guitarists, whether it's face-melting solos or mind-blowing riffs that are your forté. Order this guitar online today and make use of our fabulous range of finance options! Highlights 2018 Signature series guitar for "August Burns Red" shredmaster JB Brubaker RGA-Series "Superstrat" style body with a green finish and those familiar two white stripes EMG 85/81 humbucker pickup combination offers a variety of metal-centric tones Silky-smooth JBBM neck allows you fast and easy access to every corner of the fretboard 0% Finance and Free Delivery available! Technical Neck: JBBM 3pc Maple/Purpleheart Neck Scale Length: 648mm/25.5" Nut Width: 43mm Fretboard Radius: 400mm Body Material: Mahogany Fretboard: Ebony fretboard w/White dot inlay Frets: 24 Jumbo frets Neck Pickup: EMG 85 (Humbucker) Bridge Pickup: EMG 81 (Humbucker) Bridge: Gibraltar Standard II Bridge Factory Tuning: 1D, 2A, 3F, 4C, 5G, 6C Hardware: Cosmo Black

Focusrite Clarett 2Pre, 10-in and 4-out USB Audio Interface Building on the success of the fabulous Clarett Thunderbolt (described by many as the best audio interface they've ever used), Focusrite have now announced the upcoming release of the Clarett 2Pre - a high-powered USB audio interface that is laying down the challenge to interfaces twice the price! Better, Faster, Easier Focusrite's Clarett low latency USB range features the same specially designed high-performance, low-noise (-128dB EIN) mic pres as its Thunderbolt predecessor. The low-distortion, ultra-linear design of these pres guarantees a clean, open and clear recording signal, giving you as accurate a representation of your recording as you could wish for. Now with USB Connectivity Featuring a massive 119dB dynamic range, the Clarett can now interface with your Mac or PC via USB 2.0 (or above) ports, and bring you decades of analogue circuit design experience to deliver a superior signal path. Bigger on the Inside Like its Thunderbolt predecessor, the Clarett 2Pre USB is a 10-in, 4-out audio interface, with two Mic/Line/Instrument inputs which allow you to record anything from condenser mics, to super-hot pickups without any unwanted distortion or clipping. You also get an ADAT input which supports up to an additional eight channels, two monitor outputs (with anti-thump technology), a headphone output with volume control, two line outputs, and even a MIDI I/O socket. Air-Enabled Both mic preamps in the Clarett 2Pre USB are Air-Enabled, which means they can accurately reproduce the input impedance, clarity, and frequency response curve of Focusrite's original ISA mic preamp! Plug and Play Using a straightforward USB connection, and making full use of the included software packages, the Clarett 2Pre USB makes setting up your home studio easier than ever. You can even configure your routing and monitor mixes from your Mac, PC, iPad, iPohone or iPod touch, making editing on the fly more than possible! Order this fabulous bit of kit today and make use of our amazing 0% Finance and Free Home-Delivery options! Key Features Ultra-low noise (-128dB EIN) Clarett mic preamps, ultra-low distortion and up to 119dB dynamic range Supports any Mac or PC with USB 2.0 and above Precision 24-bit/192kHz A-D and D-A conversion for the ideal signal path Connects to Mac or PC using the included standard USB and USB Type-C cables Two mic/line/instrument inputs ADAT input allowing for expansion of up to eight additional input channels Gain Halo meters make it easy for you to set the input level Two monitor outputs with anti-thump technology Headphone output with volume control Two additional line outputs MIDI I/O The two Air-enabled mic preamps can reproduce the sound of Focusrite’s original ISA mic preamp Record with super-low latency through amp simulators and effects plug-ins Focusrite Control: a user-friendly control software which enables you to configure your routing and monitor mixes from Mac, PC, iPad, iPhone or iPod touch Software Included XLN Audio – Addictive Keys: one of four inspiring and interesting keyboard instruments Focusrite – Red Plug-in Suite: accurately models Focusrite's classic Red 2 equaliser and Red 3 compressor Softube – Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins Focusrite – Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies Ableton – Live Lite: a customised version of the music-making software Ableton Live Loopmasters: 2GB of royalty-free sample libraries Focusrite Control What's in the Box? Clarett 2Pre USB 2 x USB Cable to support standard USB connector and USB Type C connector Power Supply

Focusrite Clarett 8Pre USB, 18-in and 20-out Audio Interface Building on the success of the fabulous Clarett Thunderbolt (described by many as the best audio interface they've ever used), Focusrite have now announced the upcoming release of the Clarett 4Pre - a high-powered USB audio interface that is laying down the challenge to interfaces twice the price! Better, Faster, Easier Focusrite's Clarett low latency USB range features the same specially designed high-performance, low-noise (-128dB EIN) mic pres as its Thunderbolt predecessor. The low-distortion, ultra-linear design of these pres guarantees a clean, open and clear recording signal, giving you as accurate a representation of your recording as you could wish for. Now with USB Connectivity Featuring a massive 119dB dynamic range, the Clarett can now interface with your Mac or PC via USB 2.0 (or above) ports, and bring you decades of analogue circuit design experience to deliver a superior signal path. Bigger on the Inside Like its Thunderbolt predecessor, the Clarett 8Pre USB is an 18-in, 20-out audio interface, with 8 Mic/Line inputs (2 of which are also high impedance instrument inputs) which allow you to record anything from condenser mics, to super-hot pickups without any unwanted distortion or clipping. You also get four fixed-line inputs, and an ADAT input which supports up to an additional eight channels, two monitor outputs (with anti-thump technology), two line outputs, two volume-controlled headphone outputs, a MIDI I/O socket, and even an S/PDIF I/O socket. Air-Enabled Both mic preamps in the Clarett 8Pre USB are Air-Enabled, which means they can accurately reproduce the input impedance, clarity, and frequency response curve of Focusrite's original ISA mic preamp! Plug and Play Using a straightforward USB connection, and making full use of the included software packages, the Clarett 8Pre USB makes setting up your home studio easier than ever. You can even configure your routing and monitor mixes from your Mac, PC, iPad, iPohone or iPod touch, making editing on the fly more than possible! Order this fabulous bit of kit today and make use of our amazing 0% Finance and Free Home-Delivery options! Key Features Ultra-low noise (-128dB EIN) Clarett mic preamps, ultra-low distortion and up to 118dB dynamic range The eight Air-enabled mic preamps can reproduce the sound of the Air feature from Focusrite’s original ISA mic preamp Supports any Mac® or PC with USB 2.0 and above 24-bit/192kHz A-D and D-A conversion for the ideal signal path Connects to Mac or PC using the included standard USB and USB Type-C cables Two front-panel mic/line/instrument inputs Six mic/line inputs Six-segment LED metering easily shows the signal level MIDI I/O S/PDIF I/O ADAT I/O Two monitor outputs with anti-thump technology Eight additional line outputs Two headphone outputs with volume controls Dim and mute monitor controls Word clock output for sending clock signal to external equipment Record with super-low latency through amp simulators and effects plug-ins Focusrite Control: a user-friendly control software which enables you to configure your routing and monitor mixes from Mac, PC, iPad, iPhone or iPod touch Software Included XLN Audio – Addictive Keys: one of four inspiring and interesting keyboard instruments Focusrite – Red Plug-in Suite: accurately models Focusrite's classic Red 2 equaliser and Red 3 compressor Softube – Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins Focusrite – Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies Ableton – Live Lite: a customised version of the music-making software Ableton Live Loopmasters: 2GB of royalty-free sample libraries Focusrite Control What's in the Box? Clarett 4Pre USB 2 x USB Cable to support standard USB connector and USB Type C connector Power Supply

High Res Personal Drum Monitor Delivering rich, dynamic sound in a streamlined package, the Roland PM-200 is the ultimate monitoring solution for Roland’s V-Drums. Packing 180 watts of power, the PM-200 features a custom full-range speaker system and rugged cabinet specially optimized for reproducing the famously expressive V-Drums sound and response. And with integrated mixing and direct output capabilities, it’s easy to interface with other devices at home or on stage. Key Features: Premium all-in-one monitor designed for use with V-Drums electronic percussion products Equipped with 180 watts of power, a custom 12-inch speaker, and horn tweeter Angled design provides ideal sound coverage for the seated player Integrated mixer with independent volume controls and global EQ Dedicated V-Drums input, plus 1/4-inch and 1/8-inch line inputs for connecting electronic percussion pads, smartphones, and music players Two XLR direct outputs, with selectable stereo or dual mono output for a V-Drums module connected in stereo Unique full-width bar handle for easy floor adjustment and carrying convenience Pro-Level Sound for Playing V-Drums The PM-200 is the perfect complement to any V-Drums set. The custom 12-inch speaker and horn tweeter project big, full-range sound, and 180 watts of power provides ample headroom for both home playing and stage use. The front face is angled for optimal sound monitoring while seated at the V-Drums, and a full-width bar handle on top offers a convenient way to carry the monitor and adjust its floor position. Versatile Onboard Mixing With its integrated mixer, the PM-200 allows you to monitor backing music and external devices along with your kit. There’s a dedicated V-Drums input, plus 1/4-inch and 1/8-inch line inputs for connecting electronic percussion pads, smartphones, and music players. Independent volume controls are provided for the V-Drums and line input sections, and a two-band equalizer is on hand for shaping the overall sound. Direct Outputs for Recording and Stage Performing The PM-200 is also equipped with two XLR direct outputs to send sounds to a mixer or recording device, providing additional flexibility for using the monitor in stage, rehearsal, and studio applications. And while the PM-200 is a mono monitor, its inputs support stereo connections, enabling you to pass true stereo sound to the direct outputs. When a V-Drums module is connected in stereo to the V-Drums input, a convenient rear panel switch allows you to output its sound in dual mono or stereo to suit the needs of your setup. Specifications: Rated Power Output 180 W Nominal Input Level V-Drums INPUT: -6 dBu (10 k ohms) LINE INPUT: -6 dBu (10 k ohms) Speaker 30 cm (12 inches) Woofer x 1 Horn Tweeter x 1 Controls POWER switch V-Drums VOLUME knob LINE INPUT VOLUME knob BASS knob TREBLE knob Indicators POWER Connectors V-Drums INPUT jack: Stereo 1/4-inch phone type LINE INPUT jack: Stereo 1/4-inch phone type, Stereo miniature phone type Direct Out Connector: XLR Type AC IN jack Power Consumption 64 W Accessories Owner's manual Power cord SIZE AND WEIGHT Width 458 mm Depth 469 mm Height 420 mm Weight 21.0 kg

Martin 00-17 Authentic 1931, Grand Concert Acoustic Guitar New to the Martin Authentic & Vintage series of guitars, the Martin 00-17 Authentic 1931 is a meticulous reproduction of an original-era Grand Concert style acoustic guitar that helps to deliver the palyinh experience associated with those much-coveted Depression Era instruments. Plays, Feels and Sounds Like a Genuine Pre-War Martin Guitar Every inch of this guitar's construction has been faithfully recreated based on a genuine 1931 model, even down to the type of hide glue and dovetail neck joint, and the genuine mahogany wood top has been given the patented Vintage Tone System treatment to give it the same tonal properties. Genuine Pre-War Playing Experience Featuring a Brazilian Rosewood fingerboard and bridge, an Authentic 1931 neck shape and heel, 12-fret construction, and authentic scalloped X-bracing, this guitar is as close as you can get to an original Martin 00-17 from 1931 in looks, feel and sound quality. Excellent Tonewoods The genuine mahogany top, back and side construction comes together nicely to produce a punchy, rootsy tone that's perfect for flatpickers and folk guitarists. In addition to this, the topwood has been treated using Martin's Vintage Tone System method, ensuring that the sounds produced are as authentically close to an original 1931 model as is possible. Martin's Vintage Tone System (VTS) Another key proponent in the delivery of an authentic pre-war guitar feel is the much-coveted VTS (Vintage Tone System). The VTS uses a unique recipe that's based on the historic torrefaction system, and accurately recreates the tones created by the guitars from each specified time period - in this case, a 1931 era 00-17. Very Limited Availability Due to the rare nature of this guitar, if you'd like to purchase one for yourself I'd recommend contact our online sales team directly, or even calling into your local PMT store and speak to our staff there. Technical Specs Model: 00-17 Authentic 1931 Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 00-12 Fret Top Material: Genuine Mahogany with VTS Rosette: Multi-Stripe Bracing Pattern: Authentic 1931 X Brace Brace Shape: Scalloped Brace Material: Adirondack Spruce with VTS Brace Size: 1/4" Back Material: Genuine Mahogany Back Purfling/Strip: Brazilian Rosewood Side Material: Genuine Mahogany Endpiece: Brazilian Rosewood Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Neck Taper: Standard Taper Nut Material: Ebony Headstock Shape: Slotted with 1931 Taper Headplate Material: Brazilian Rosewood Headplate Logo Style: Stamped on Back of Headstock Heelcap: Ebony Fingerboard Material: Brazilian Rosewood Scale Length: 24.9" Neck Joins Body At: 12th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 7/8'' Fingerboard Width at 12th Fret: 2 5/16'' Fingerboard Inlay Material: Grained Ivoroid Fingerboard Inlay Style: Authentic 17 Old Style Side Dots: Grained Ivoroid Back and Side Finish: Vintage Gloss Back and Sides Color: Dark Mahogany Finish Top: Vintage Gloss Top Color: Dark Mahogany Finish Neck: Vintage Gloss Neck Color: Dark Mahogany Bridge Material: Brazilian Rosewood Bridge Style: Authentic Straight Line - Glue in Long Saddle Bridge String Spacing: 2 3/8'' Saddle: Bone Saddle Radius: 16" Tuning Machines: Golden Age Relic Nickel Side Mount Recommended Strings: SP Acoustic 92/8 Phosphor Bronze Light (MSP4100) Knob: Black Bridge Pin Material: Black Plastic Pickguard: Faux Tortoise Case: Ply Hardshell

The Martin OME-Cherry electro-acoustic guitar is FSC certified and delivers incredible sound and playability, plugged and unplugged. Sustainably and Masterfully Made Chris Martin, the CEO of Martin Guitars is a pioneer of sustainable guitar building and so when designing the new OME-Cherry, Martin were very particular about the choice of woods. As a result, all of the wood used to craft the Martin OME-Cherry has been certified by the Forest Stewardship Council. Being FSC Certified, this ensures that the wood used for the Martin OME-Cherry has come from a sustainable and responsibly managed source so you can have peace of mind when playing your new orchestra model Martin guitar. Martin OME-Cherry Electro-Acoustic Guitar Key Features: Orchestra Model Crafted Entirely with FSC Certified Woods Sitka Spruce Top Cherry Back and Sides Mahogany High Performance Neck Ebony Fretboard and Bridge African Blackwood Headplate Fishman Matrix VT Enhance NT1 Electronics Incredibly Crafted Known for its incredible properties as a tonewood, Martin have constructed the OME-Cherry with a Sitka Spruce top. With is responsiveness, elasticity and flexibility, this wood delivers great tone and volume and is suitable for all playing styles while the Cherry back and sides add focus to the tone and another appealing feature to the aesthetic of the instrument. Through use of a sturdy dovetail joint, the OME-Cherry has a high performance Mahogany neck attached which features an Ebony fingerboard for an incredibly smooth and slick performance. Fantastic Fishman Electronics Martin’s FSC OME-Cherry comes to you stage-ready thanks to its Fishman Matrix VT Enhance NT1 electronics which allow you to play plugged in and sound as good as you do unplugged. The Matrix VT Enhance system is equipped with an Enhance transducer that provides an amazing new level of sound quality and playing dynamics. There’s also a Matrix undersaddle pickup that can be used in alone or in combination with the Enhance pickup to strengthen the dynamics of your sound and give you more versatility. Discreetly tucked inside the soundhole are three controls that allow you to sculpt your sound for the perfect tone. First, there’s a volume knob you can use to adjust the overall level of your guitar sound. Next, there’s the Enhance knob which allows you to control the amount of the Enhance pickup sound is in your output. Last but not least is Tone. With its innovative, one-knob control, the tone control allows you to choose between a natural sound, an undersaddle sound or a “scooped” sound which emphasizes the treble and bass. With these simple yet comprehensive controls, you can easily dial-in the perfect tone, ideal for stage and studio performances. What’s more, a low battery LED indicator is present, letting you know when it’s time to change battery so you never get caught any sticky situations mid-gig. Beautiful Sound, Playability and Style Expertly crafted, the Martin OME-Cherry is a joy to play, hear and even look at – a sure-fire winner for you the guitarist and your happy audience. Pioneers in sustainable guitar building, Martin are proudly partnered with the Forestry Stewardship Counsel (FSC), bringing you amazing guitars using sustainable wood and the OME-Cherry is a shining example of just how good these incredible instruments can be. Buy the Martin OME-Cherry now and enjoy a comfortable, classy experience from a masterfully built guitar made from sustainably sourced wood.

Alesis Command Mesh Kit - Eight-Piece Electronic Drum Kit with Mesh Heads Mesh drum heads are becoming increasingly popular for electronic kits amongst professional and amateur drummers alike, as they offer a more authentic, acoustic-drum kit "feel" when played. Unfortunately, all-mesh electronic kits tend to be pretty expensive... until now that is! Introducing the new Alesis Command Mesh Kit, an 8-piece electronic drum kit with mesh-heads and Command drum module! Perfect for Mid-to-Advanced Level Drummers Alesis Command is a complete 8-piece electronic drum-kit that provides you with everything you need to play like a pro, including a 10" dual-zone mesh snare, three 8" dual-zone mesh tom pads, an 8" mesh kick toward pad (with pedal), and three 10" cymbals! Each of the mesh drum heads provides you with a great feel and natural response - just like with an acoustic kit - and each cymbal provides a virtually unlimited range of playing expression. The New Standard in Electronic Drums With its authentic response, dependability, and compact, lightweight design, the Alesis Command Mesh Kit makes the ideal instrument for home rehearsal, live performance, teaching and more. The collapsible chrome 4-post mounting rack ensures that everything remains rock-solid, allowing you to fully express yourself whilst playing without the nuisance of any travel or loss of positioning. Not only that but the convenient, collapsable design of the kit means tidying away after a gig/rehearsal will take you only minutes! Versatile and Forward Thinking Featuring 70 drum-kits and over 600 sounds, 60 play-along tracks, and even an on-board metronome, the Alesis Command Mesh Kit drum module has everything you could wish for. There's also a USB memory stick input, which allows you to load 3rd party .WAV samples and assign them to any pad on the kit. With a plethora of connectivity options at your command, you can connect smart phones, MP3 players/aux-compatible devices, and even a USB output that's engineered to transmit MIDI information directly to your computer, allowing you to to takes commany of your virtual instrument collection, this kit would, without a doubt, make a wonderful addition to any home-studio as well as the applications mentioned previously. Budget-Friendly Price As mentioned above, until now a full-mesh electronic drumkit would have cost you a pretty penny, but the Alesis Command Mesh Kit can be yours at a more than reasonable price. Not only that, but here at PMT you can make use of our fabulous array of 0% finance and free home-delivery options! Command Mesh Kit Highlights 8” mesh kick and 10” dual-zone snare pad for enhanced feel and playing response Two 8” dual-zone rack toms and an 8” dual-zone floor tom deliver great sound and feel (3) 10” cymbals: ride cymbal, hi-hat, crash w/choke Kick drum pedal included Alesis Command Drum Module with 70 kits (50 factory pre-set + 20 user-customizable) and 600 sounds Load .WAV samples and play-along tracks via USB memory stick Real-time recording (5 tracks internally; up to 99 tracks via USB memory stick) USB/MIDI output for use with virtual instrument and recording software Premium chrome 4-post rack and boom cymbal arms Connection cables, drum sticks, drum key and power supply included Drum Module Technical Specs Maximum Polyphony: 64 Drum Kits: 74 kits (54 preset kits + 20 user kits); 9 General MIDI kits Sounds: 671 sounds/voices (drum, percussion, effect); 14 hi-hat combination voices; Up to 99 user-loaded samples, 15MB total Sequencer: 125 patterns (120 preset songs + 5 user songs); Up to 99 user songs in 1 folder on USB flash drive; 192 ticks per beat; Real-time record; Approx 6800 notes per user song Tempo: 30-280 BPM Display: 64 x 128 pixes, monochrome, backlit display Connectors: 1 x DB-25 cable snake; 1 x 1/4" TS Crash 2; 1 x 1/4" TS Tom 4; 2 x 1/4" TRS main outputs; 1 x 1/8" Stereo headphone output; 1 x 1/8" stereo auxiliary input; 1 x 5-pin MIDI input; 1 x 5-pin MIDI output; 1 x USB MIDI port' 1 x USB host port Power: 9 VDC, 500 mA centre-positive Dimensions: 9.1" x 6.3" x 2.7" Weight: 1.1lb (0.5kg)

HeadRush FRFR-112, 2000 Watt Peak, Full-Range, Flat-Response, 12-in/2-way Powered Speaker Cabinet In 2017 the HeadRush FX Multi-FX/Amp Modeller exploded onto the scene in a big way, with its finely-tuned quad-core processor and state of the art DSP software making it the go-to all-in-one unit for professional and amateur guitarists the world over. Now for 2018, HeadRush are releasing the ultimate addition to this fantastic multi-FX unit: introducing the HeadRush FRFR-112, a full-range, flat-response powered PA speaker with a crushing 2000 Watts of peak output power! The Perfect Gigging Companion for your Headrush FX Pedalboard Now that you've elevated your rig to the industry-standard of todays modellers with the HeadRush FX (or similar), you need never have to rely on the limited frequency response of a traditional amp or PA speaker again thank to the FRFR-112. The full-frequency, flat response nature of this fabulous speaker cabinet allows you to hear your rigs as they were meant to be heard without any unwanted artificial colouration. Huge Amount of Output Whether you choose to use the FRFR-112 as a floorboard monitor wedge or main source of amplification, the choice is yours. With a whopping 2000 Watts of peak output power (1000 Watts RMS), and the ability to link up to either your front-of-house equipment or another FRFR-112, all of the critical power and connectivity options are included to ensure you're primed for any scenario. Unbelievable Price This highly-affordable powered speaker can be yours for an incredibly low price. Not only that but you can also make use of our fabulous range of finance and home-delivery options when you buy it here at PMT Online! Highlights Specially-voiced 12-inch woofer and high-frequency compression driver deliver a precise, full response across the entire frequency range without any artificial coloration 2000 watts of peak power delivers clarity, punch and enough headroom for any venue (2) XLR/TRS 1/4-inch combo inputs with independent volume controls and clip indicator Contour EQ switch helps you cut through muddy-sounding stage mixes Ground-Lift switch eliminates unwanted noise at venues with grounding issues XLR output sends your mix to the front of house or links additional FRFR-112 cabinets Lightweight and flexible tilt-back cabinet design that can also be pole-mounted Technical Specs Output Power: 2000 W (peak, 1300 LF + 700 HF); 1000 W (continuous RMS, 650 LF + 350 HF) Drivers: 12" LF Driver w/ 3" High-Temp Voice Coil; 1.4" Voice coil, neodymium-magnet high-freq driver with precision waveguide Crossover Frequency: 2.0 kHz Maximum SPL: 131 dB (peak), 128 dB (continuous) (dB-SPL @ 1m) Frequency Response: 53 Hz - 20 kHz (+3 dB) Frequency Range: 46 Hz - 22 kHz (-10 dB) Horn Coverage: 90 degrees Horizontal x 60 degrees Vertical (nominal) EQ: Contour switch with low-and high-frequency +3 dB boost Connectors: 2 x XLR/TRS 1/4" combo inputs; 1 x XLR link output; 1 x IEC power cable input Controls: Power Switch; 2 x Volume Control Knobs; EQ Contour switch; ground-lift switch Indicators: 2 x power LEDs (1 front-panel, 1 rear-panel); clip limiter LED Protection: Electronic clip; thermal & transducer overdrive Power Connection: IEC Power Input Voltage: 100V~, 110-120V~, 220-240V~; 50/60 Hz (switchable) Power Fuse: 100-120V T10AL AC250V; 220-240V T5AL AC250V Power Consumption: 800 W Enclosure: Trapezoidal, injection-moulded polypropylene enclosure with perforated steel grille Dimensions: 23.8" (H) x 13.9" (W) x 13.8" (D) Weight: 35.9lb (16.3kg)

Designed to meet the demands of small-room producers and sound engineers limited on space, the Adam Audio T7V utilises waveguide technology and U-ART Ribbon tweeters taken from their critically acclaimed S-Series monitors. The result is a super-wide sweet spot, balanced frequency output and stunning detail, even in the smallest control rooms. The T7v offers a wider frequency response than it's younger sibling, the T5v. It delivers all the way down to 39Hz and a higher SPL volume output up to 110dB, making it ideal for small room production, mixing and musicians that need that extra kick of low end performance. The Ultimate Mid-Room Studio Monitor The 7" polypropylene woofer and rear-firing bass reflex port deliver tight, controlled low end response. Powered by a 50w low end amplifier, it offers the perfect balance of smooth bass against the detailed top end of a ribbon tweeter. Exactly what you need for a balanced mix that translates well onto other systems. Key Features: New U-ART 1.9” Accelerated Ribbon Tweeter New polypropylene 7” woofer and rear-firing bass-reflex port Max. peak SPL at 1 m per pair: 110 dB Built-in Amplifiers: 2 x Class-D Amplifier Power U-ART Tweeter: 20 W [RMS] Amplifier Power Woofer: 50 W [RMS] Frequency Response: 39 Hz – 25 kHz Crossover Frequency: 2.6 kHz Analog Inputs: XLR, RCA H x W x D: 347 mm x 210 mm x 293 mm Weight: 7.1 kg [15.7 lbs] Warranty: 2 years plus 3 years upon product registration in the MyADAM user area U-Art Accelerated Ribbon Tweeters The new U-ART tweeter, a breakthrough solution for use in high-resolution recording and mixing on a budget, goes up to 25 kHz and is mated to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio’s flagship S Series monitors. The waveguide’s highly uniform dispersion of high frequencies provides an incredibly wide sweet spot that frees you from being glued to a rigid mix position while working. A beveled cabinet with a rear-firing bass reflex port and a small footprint allows placement anywhere in your room, no matter how small, and contains built-in DSP-controlled driver crossovers and equalization as well as multi-way analog connections. Powered with a 50 W Class D amplifier for the woofer and a 20 W Class D amplifier for the U-ART tweeter, the T5V produces SPLs of up to 106 dB per pair. Lightweight and Portable Weighing in at only 7.1kg, the Adam T7Vs are equally well suited on the move. If you frequent multiple studio locations or travel aboard, there's no reason why you can't use these as part of a mobile production setup without compromising clarity and quality. Excellent acoustic characteristics, small dimensions and an outstanding cost/performance ratio make this studio monitor perfectly suited for use in small control rooms in music, video and broadcast production too. Sub Ready With slightly larger rooms or bass-heavy music, the T7v is compatible with ADAM's Sub7 and Sub8 subwoofers, available separately. The perfect way to extend the frequency response of your system and keeping your low end in check. 5 Year Warranty The Adam Audio T Series are available now with a 5 year warranty - 2 years out the box, and an extra 3 upon registration in the MyADAM user area.

Alesis Vortex Wireless 2, USB/MIDI Keytar Controller Keyboard players in the 80's had the right idea: why spend most of the gig hidden behind a couple of keyboard stands whilst the rest of the band takes centre-stage, when you could simply use a keytar and rock out like a guitarist in the spotlight? Time to break out the hairspray and spandex Unfortunately the keytar craze ended with the rise of the back-to-basics stylings of Grunge music, but now as more and more bands are making use of keys in a live setting, it's about time for the keytar to make a come back (at least, in my opinion). Introducing the brand new Vortex Wireless 2 from Alesis: a USB/MIDI Keytar controller! Next-Generation Keytar Performance Vortex Wireless 2 features improved ergonomics and better playability that the original Vortex Wireless, as well as a more robust chassis, and a completely updated control layout. This gig-ready keytar MIDI controller offers you comprehensive controller functionality, in a funky gloss-black finish. Wireless Functionality Connect wirelessly to your PC/Mac and integrate easily with your favourite VST's and DAWs to wow your audience, whether it's in a studio or live on stage. Simply plug in the included USB dongle, boot up your software of choice, and you're ready to go! Easy to Use With the 37 velocity-sensitive keys (which feature after-touch technology), 8 RGB back-lit velocity-sensitive drum pads, and a row of 8 MIDI-assignable back-lit faders, all within easy read whilst you play, getting to grips with the Alesis Vortex Wireless 2 is as intuitive as you could wish for. Featuring easy-to-reach neck controls that allow you to tweak sounds, expand melodic ideas, and activate the sustain function, all while your right hand is free to play the keys, the sky is the limit with the sonic possibilities this controller presents you with. Everything You Need In One Box When you buy the Alesis Vortex 2, you get a comprehensive assortment of accessories and software packages to aid you in your journey to rock-stardom. These include a strap and cable harness, a premium bundle of VST plugins, Ableton Live Lite, Hybrid 3.0, Loom II, Vacuum Pro, Way Out Ware, and Xpand!2, everything you need to get you started! New to 2018 Be sure to watch for the Alesis Vortex Wireless 2 hitting your local PMT Stores later this year, and maybe even request an in-store demo with one of our resident product experts. Alternatively, order this Keytar MIDI controller online today and make use of our fabulous free home-delivery service! Highlights 37 velocity-sensitive keys with after-touch for compact size with complete melodic range Eight RGB back-lit velocity-sensitive trigger pads enable you to create beats or trigger clips Eight back-lit faders for controlling volumes or other virtual instrument parameters Embedded MIDI-assignable tilt sensor performance control with on/off button Thumb-controlled volume slider and reversible pitch-bend wheel on neck MIDI-assignable touchstrip, zone, sustain, and octave-control buttons on neck Included USB receiver creates a wireless connection to any Mac or PC, or most keyboards with USB host port Wired USB and MIDI jacks for use with any synth, sound module, or other MIDI hardware or software Can be battery-powered for use with MIDI modules and hardware synths (4 AA batteries notincluded) Strap and cable harness included; standard guitar strap pegs on neck and body Easily edit MIDI-assigned controls with the included point-and-click Vortex Wireless 2 Editor application World-class production software package included: Hybrid 3, Loom 2, Vacuum Pro, and Xpand!2 by AIR Music Tech, TimewARP 2600 by Way Out Ware, and Ableton Live Lite Includes Vortex Wireless 2 USB Wireless Receiver USB Cable Strap Cable Harness Software Download Cards User Guide Safety and Warranty Manual Technical Specs Keys: 37 velocity-sensitive keys with aftertouch 10-octave range available with Octave Up/Down buttons 2 assignable zones with assignable split point Pads: 8 velocity-sensitive pads, multi-colour back-lit, MIDI-assignable Sliders: 8 sliders, blue back-lit, MIDI-awwssignable 1 volume slider, MIDI-assignable Modulation: 1 touch-capacitive ribbon controller, MIDI-assignable 1 pitch bend wheel, MIDI-assignable 1 accelerometer (tilt sensor), MIDI-assignable Sustain: 1 sustain button Display: 7-segment 3-character monochromatic back-lit LCD Up/Down (+/–) increment/decrement buttons Wireless Transmission Transmitter: Vortex Wireless 2 (internal) Receiver: USB wireless receiver (included) Connectors: 1 USB Type-B port 1 5-pin MIDI output Power: Via USB port or 4 AA batteries Dimensions: (width x depth x height) 35.2” x 10.0” x 2.9” / 89.4 x 25.4 x 7.4 cm Weight: 6.5 lbs/2.9 kg

The Martin HD-28E (2018) is part of the Martin Standard Series Reimagined line, taking an absolute icon of rock, country and bluegrass acoustic performance and rejuvenating it. This model comes fitted with an LR Baggs Anthem pickup and microphone system. Reimagining A Legend The name HD-28E tells you a lot about this classic Martin acoustic guitar. The ‘H’ refers to the iconic Herringbone style binding, the ‘D’ tells you that this instrument is a Dreadnaught size guitar while the ‘28’ tells us that this is a Spruce top and Rosewood back and side combination. Lastly, the ‘E’ denotes that this is an electric acoustic guitar model and as such, the Martin HD-28E is fitted with incredible responsive electronics that allow you to shape your sound anywhere, anytime and get great plugged-in sound that’s as good as your unplugged sound. Constructed with Martin’s most comfortable neck, a series of vintage appointments and forward-shifted bracing while coming to you with a lifetime warranty, the Martin HD-28E (2018) is a timeless classic made brand new again. Fitted with LR Baggs Anthem electronics, you’re able to get amazing sound whether you’re playing unplugged or plugged in. Martin HD-28E (2018) with LR Baggs Anthem Key Features: LR Baggs Anthem Electronics Forward Shifted Scalloped X Bracing Sitka Spruce Top East Indian Rosewood Back and Sides High Performance Neck Taper Modified Low Oval Neck Shape Crafting a New Classic A traditional dreadnought body shape provides plenty of depth, warmth and volume to your guitar playing sound – re-creating Martin’s legendary Herringbone-style 28 guitars that are loved the world over. Solid Sitka Spruce forms the top of the HD-28E, Sitka Spruce being a real go-to tonewood when it comes to acoustic guitar tops and extremely popular due to its beautiful resonance, projection and rich tones. East Indian Rosewood has been used to craft the back and sides, with this wood being renowned for its rich, deep wood grain hue adding an extra layer of visual appeal and complimenting the beautiful tones produced by the Sitka Spruce top. Forward shifted scalloped X shaped bracing has been utilised, crafted from Sitka Spruce, offering great projection while its forward shifted location further enhances the lower tones of the already bold acoustic voice from this wonderful dreadnought guitar. Martin’s Most Comfortable Neck Joining the HD-28E at the 14th fret by way of a dovetail joint is Martin’s most comfortable neck, featuring a modified low oval shape and a high performance neck taper along with a smooth satin finish for a fantastic playing feel. Adorning the neck is an Ebony fingerboard which is a joy to play and extremely durable, providing singing sustain and detail that is beneficial to any musical style or performance. To further enhance the playability of this fantastic acoustic guitar, Martin have given it the impressive Plek fret dressing treatment. The Plek Pro is an incredible, high-tech tool that has been developed for guitar production factories. The result of Plek Pro treatment is a fantastic fret dressing that significantly improves the playability of the Martin HD-28E. Amazing Electronics Allowing you to plug in with your HD-28E and enjoy the same high quality tone you get when you play unplugged is an LR Baggs Anthem acoustic guitar pickup and microphone system. The soul within the LR Baggs Anthem is its revolutionary microphone that has been engineered to capture a dynamic studio-mic'd sound at your gigs. Its feather-weight preamp and controls give you volume, mix, phase and battery check features with the “mix” control allowing you to blend from the augmented TRU MIC position to the Element pickup on its own while phase inversion minimises feedback, ensuring flawless live performance. Using a single 9v battery you can get 170 hours of action while the multi-segment battery check allows you to see at a glance how much battery life you have left. Incredibly Crafted Instrument The HD28E is well suited for almost any style of player, and lends itself particularly well to rhythmic strummers. An incredibly versatile instrument for your acoustic arsenal that includes an official Martin hardcase to protect your investment. Reimagined for 2018, the Martin HD-28E, better than ever, is a fantastically built guitar that you will cherish for decades to come. Martin HD-28E (2018) with LR Baggs Anthem Specs: Model: HD-28E (2018) Construction: Dovetail Neck Joint Body Size: D-14 Fret Top Material: Sitka Spruce Rosette: Multi-Stripe Bracing Pattern: Forward Shifted X Brace Brace Shape: Scalloped Brace Material: Sitka Spruce Brace Size: 5/16" Back Material: East Indian Rosewood Back Purfling/Strip: Zig-Zag Side Material: East Indian Rosewood Endpiece: None Endpiece Inlay: None Binding: Antique White Top Inlay Material: Bold Herringbone Back Inlay Material: Multi-Stripe Neck Material: Select Hardwood Neck Shape: Modified Low Oval Neck Taper: High Performance Taper Plek: Yes Nut Material: Bone Headstock Shape: Solid with Square Taper and Diamond Headplate Material: East Indian Rosewood Headplate Logo Style: Script Old Style Overlay Heelcap: Antique White Fingerboard Material: Ebony Scale Length: 25.4" Neck Joins Body At: 14th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 3/4" Fingerboard Width at 12th Fret: 2 1/8'' Fingerboard Inlay Material: Abalone Fingerboard Inlay Style: Diamonds and Squares Long Pattern Side Dots: White Back and Side Finish: Gloss Finish Top: Gloss Top Colour: Aging Toner Finish Neck: Satin Neck Colour: Dark Mahogany Bridge Material: Ebony Bridge Style: Modern Belly - Drop in Saddle Bridge String Spacing: 2 5/32” Saddle: Compensated White TUSQ Saddle Radius: 16" Tuning Machines: Nickel Open Gear Knob: Butterbean Bridge Pin Material: White Plastic Bridge Pin Dots: Faux Tortoise Pickguard: Faux Tortoise Case: Moulded Hardshell Electronics: LR Baggs Anthem

The PreSonus EarMix 16M is a 16-channel personal monitor mixer with a loud, clear headphone amp designed to power in-ear monitors; can be powered over Ethernet (PoE); and offers stereo linking, groups, EQ and limiting, and the ability to chain multiple units. 16x2 AVB-networked Personal Monitor Mixer Designed to work with PreSonus’ StudioLive Series III family of mixers, Earmix 16M is a revolution in the world of digital live performance. It's also compatible with other AVB-enabled systems like the AVB Stage Box series, available separately. The EarMix 16M provides 16x2 mixing, with 16 mono channels of input from an AVB network and support for PoE power. Sonically, a world-class 3-band EQ and limiter on all channels and the main mix give you complete control over your sound on stage. Earmix also features stereo channel linking; channel grouping; a loud, clear headphone amp that can handle low-impedance, in-ear monitors. The Earmix16 also features 2 AVB Ethernet ports on the rear, enabling chaining units network up to 24 units with a StudioLive Series III mixer. Key Features: 16x2 AVB-networked personal monitor mixer Loud, clear headphone amp that can drive low-impedance in-ear monitors 3-band EQ and limiter on all channels and main mix Stereo channel linking and channel grouping Support for PoE power 2 AVB Ethernet ports; network up to 24 units with a StudioLive Series III mixer 2 Balanced ¼-inch TRS line outputs 1/8-inch stereo aux input Store up to 16 mix scenes locally Signal present and clip LED for each input plus 8-segment stereo output meter 24 bit, up to 48 kHz operation Routing setup from StudioLive Series III consoles and UC Surface Mic stand mounting option (sold separately)